Talks with TolstoiGolʹdenveĭzer, Aleksandr Borisovich
Philosophy
Talks with Tolstoi
Golʹdenveĭzer, Aleksandr Borisovich
Tolstoy, Leo, graf, 1828-1910
“How wrong it is! Some are inside and the others are not allowed in.
When our children were small, Sophie Andreevna always had a Christmas
tree, and the village children came to it. Once they gave us the
scarlet fever, and after that they were no longer admitted, except a
few who were carefully chosen. I remember once there was a Christmas
tree upstairs. I was lying downstairs on the sofa (where the library
now is), and I was terribly ashamed to think of the children crowding
outside and not being let in. I remember I could not endure it, came
out, and gave them three roubles, and of course made things still
worse--they began to dispute and quarrel over the division of it, and
it was revolting, shameful, and painful!”
_June 5th._ Yasnaya Polyana.
On the day of our arrival, May 27th, Tolstoi talked at dinner about
the Decembrists whom he knew after their return from banishment (he is
again studying that period).
He spoke of Prince Volkonsky:[8]
“His appearance with his long grey hair was altogether like that of an
Old Testament prophet. What a pity I spoke so little to him then, when
I need him so much now! He was a wonderful old man, the flower of the
Petersburg aristocracy both by birth and by his position at Court. And
then in Siberia, after he had already served hard labour, and his wife
had something like a salon, he worked with the peasants; all sorts of
tools for peasants’ work were in his room.”
Tolstoi does not believe the story about the affair between Poggio and
Princess Volkonsky.
He said:
“I do not want to believe it: such scandals are so often invented and
people’s memory spoilt. Moreover, Poggio loved Volkonsky so much that
when later (Volkonsky’s wife being already dead) he felt the approach
of death himself, he came to Volkonsky to die there.”
Tolstoi went on to say:
“I made Volkonsky’s acquaintance in Florence at Dolgorukov’s, Koko
Dolgorukov, the doctor. At that time it was rare for an aristocrat
to become a doctor. It was when Nicolas I. limited the number of
university students to three hundred, and Dolgorukov could not be
admitted to any other faculty. He was a wonderfully capable man: he
wrote poems, was a superb musician, painted pictures. He was married
to (?). When I visited them for the first time in Florence, this was
the scene I found: his wife and the well-known Marquis de Rogan were
playing an extraordinary game: they made a mark on the wall and tried,
by lifting their feet, to touch the mark; each tried to lift his or her
leg higher and higher.
“There was also present the very gifted painter Nikitin. He drew
wonderfully in pencil. I remember he had an album and drew Volkonsky’s
portrait in it. He also drew mine. I wonder where the album is. If some
collector were to get hold of it now!”
Public-domain text, read in full here on John Shaqi.
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