Tancred; Or, The New CrusadeDisraeli, Benjamin, Earl of Beaconsfield
ReligionJewish
Tancred; Or, The New Crusade
Disraeli, Benjamin, Earl of Beaconsfield
Christianity and other religions -- Judaism -- Fiction; Judaism -- Relations -- Christianity -- Fiction
A man, extremely good-looking and well made, in the uniform of a marshal
of France, his cocked hat fringed and plumed, and the colour of his coat
almost concealed by its embroidery, played a clarionet like a master;
four youths of a tender age, remarkable both for their beauty and their
grace, dressed in very handsome scarlet uniforms, with white scarfs,
performed upon French horns and similar instruments with great energy
and apparent delight; behind them an honest Blouse, hired for the
occasion, beat the double drum.
‘Two of them are girls,’ said Thérèse; ‘and they are all the same
family, except the drummer, who belongs, I hear, to Ypres. Sometimes
there are six of them, two little ones, who, I suppose, are left at home
to-day; they look quite like little angels; the boy plays the triangle
and his sister beats a tambourine.’
‘They are great artists,’ murmured Sidonia to himself, as he listened to
their performance of one of Donizetti’s finest compositions. The father
stood in the centre of the great square, the other musicians formed a
circle round him; they continued their performance for about ten minutes
to a considerable audience, many of whom had followed them, while the
rest had collected at their appearance. There was an inclination in the
curious multitude to press around the young performers, who would have
been in a great degree hidden from general view by this discourteous
movement, and even the sound of their instruments in some measure
suppressed. Sidonia marked with interest the calm and commanding manner
with which, under these circumstances, the father controlled the people.
They yielded in an instant to his will: one tall blacksmith seemed
scarcely to relish his somewhat imperious demeanour, and stood rooted to
the ground; but Baroni, placing only one hand on the curmudgeon’s brawny
shoulder, while he still continued playing on his instrument with the
other, whirled him away like a puppet. The multitude laughed, and the
disconcerted blacksmith slunk away.
When the air was finished, Baroni took off his grand hat, and in a loud
voice addressed the assembled people, informing them that this evening,
in the largest room of the Auberge of St. Nicholas, there would be a
variety of entertainments, consisting of masterpieces of strength and
agility, dramatic recitations, dancing and singing, to conclude with the
mystery of the Crucifixion of our blessed Lord and Saviour; in which all
the actors in that memorable event, among others the blessed Virgin,
the blessed St. Mary Magdalene, the Apostles, Pontius Pilate, the High
Priest of the Jews, and many others, would appear, all to be represented
by one family.
Public-domain text, read in full here on John Shaqi.
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