There was analogy in the respective physical appearances of the brothers and the sisters. The eldest girl, Josephine, though she had only counted twelve summers, was in stature, and almost in form, a woman. She was strikingly handsome, very slender, and dark as night. Adelaide, in colour, in look, in the grace of every gesture, and in the gushing tenderness of her wild, yet shrinking glance, seemed the twin of Alfred. The little Carlotta, more than two years older than Michel, was the miniature of her mother, and had a piquant coquettish air, mixed with an expression of repose in one so young quite droll, like a little opera dancer. The father clapped his hands, and all, except himself, turned round, bowed to the audience, and retired, leaving Baroni and his two elder children. Then commenced a variety of feats of strength. Baroni stretched forth his right arm, and Josephine, with a bound, instantly sprang upon his shoulder; while she thus remained, balancing herself only on her left leg, and looking like a flying Victory, her father stretched forth his left arm, and Francis sprang upon the shoulder opposite to his sister, and formed with her a group which might have crowned a vase. Infinite were the postures into which, for more than half an hour, the brother and sister threw their flexible forms, and all alike distinguished for their agility, their grace, and their precision. At length, all the children, with the exception of Carlotta, glided from behind the curtain, and clustered around their father with a quickness which baffled observation. Alfred and Adelaide suddenly appeared, mounted upon Josephine and Francis, who had already resumed their former positions on the shoulders of their father, and stood immovable with outstretched arms, while their brother and sister balanced themselves above. This being arranged, Baroni caught up the young Michel, and, as it were, flung him up on high; Josephine received the urchin, and tossed him up to Adelaide, and in a moment the beautiful child was crowning the living pyramid, his smiling face nearly touching the rough ceiling of the chamber, and clapping his little hands with practised triumph, as Baroni walked about the stage with the breathing burden. He stopped, and the children disappeared from his shoulders, like birds from a tree when they hear a sound. He clapped his hands, they turned round, bowed, and vanished.