TANTE
by
ANNE DOUGLAS SEDGWICK
(MRS. BASIL DE SÉLINCOURT)
Author of "Franklin Winslow Kane," "A Fountain Sealed," "Amabel
Channice," "The Shadow of Life," Etc.
New York
The Century Co.
1912
Copyright, 1911, by
The Century Co.
Published, December, 1911.
TANTE
PART I
CHAPTER I
It was the evening of Madame Okraska's concert at the old St. James's
Hall. London was still the place of the muffled roar and the endearing
ugliness. Horse-'buses plied soberly in an unwidened Piccadilly. The
private motor was a curiosity. Berlin had not been emulated in an
altered Mall nor New York in the façades of giant hotels. The Saturday
and Monday pops were still an institution; and the bell of the
muffin-man, in such a wintry season, passed frequently along the foggy
streets and squares. Already the epoch seems remote.
Madame Okraska was pausing on her way from St. Petersburg to New York
and this was the only concert she was to give in London that winter. For
many hours the enthusiasts who had come to secure unreserved seats had
been sitting on the stone stairs that led to the balcony or gallery, or
on the still narrower, darker and colder flight that led to the
orchestra from Piccadilly Place. From the adjacent hall they could hear
the strains of the Moore & Burgess Minstrels, blatant and innocuously
vulgar; and the determined mirth, anatomized by distance, sounded a
little melancholy. To those of an imaginative turn of mind it might have
seemed that they waited in a tunnel at one far end of which could be
perceived the tiny memory of tea at an Aerated Bread shop and at the
other the vision of the delights to which they would emerge. For there
was no one in the world like Madame Okraska, and to see and hear her was
worth cold and weariness and hunger. Not only was she the most famous of
living pianists but one of the most beautiful of women; and upon this
restoring fact many of the most weary stayed themselves, returning again
and again to gaze at the pictured face that adorned the outer cover of
the programme.
Illuminated by chill gas-jets, armed with books and sandwiches, the
serried and devoted ranks were composed of typical concert-goers, of
types, in some cases, becoming as extinct as the muffin-man; young
art-students from the suburbs, dressed in Liberty serges and velveteens,
and reading ninepenny editions of Browning and Rossetti--though a few,
already, were reading Yeats; middle-aged spinsters from Bayswater or
South Kensington, who took their weekly concert as they took their daily
bath; many earnest young men, soft-hatted and long-haired, studying
scores; the usual contingent of the fashionable and economical lady; and
the pale-faced business man, bringing an air of duty to the pursuit of
pleasure.
Public-domain text, read in full here on John Shaqi.
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