American fiction -- 20th century; Short stories, American
It was the Yaqui’s work to help drag disemboweled and dying horses from
the bull ring and to return with sand to cover up the gory spots in the
arena. Often Montes saw him look up at the crowded circle of seats and
at the box where the gray old Don and his people and friends watched
the spectacle. There were handsome women with white lace over their
heads and in whose dark and slumberous eyes lurked something the Yaqui
knew. It was something that was in the race. Lieutenant Perez was there
leaning toward the proud señorita. The Indian watched her with strange
intensity. She appeared indifferent to the efforts of the _picadores_
and the _banderilleros_, those men in the arena whose duty it was to
infuriate the bull for the artist with the sword--the matador. When
he appeared the beautiful señorita wakened to interest. But not until
there was blood on the bright blade did she show the fire and passion
of her nature. It was sight of blood that quickened her. It was death,
then, that she wanted to see.
And last the Yaqui let his gaze rivet on the dark, arrogant visage of
young Perez. Did not the great chief then become superhuman, or was
it only Montes’s morbid fancy? When Yaqui turned away, did he not feel
a promise of fulfillment in the red haze of the afternoon sun, in the
red tinge of the stained sand, in the red and dripping tongue of the
tortured bull? Montes knew the Yaqui only needed to live long enough
and there would be something. And death seemed aloof from this Indian.
The ferocity of the desert was in him and its incalculable force of
life. In his eyes had burned a seared memory of the violent thrust with
which Perez had driven his wife and baby forever from his sight.
Montes’s changed attitude evidently found favor in the proud señorita’s
eyes. She had but trifled with an earnest and humble suitor; to the
advances of a man, bold, ardent, strange, with something unfathomable
in his wooing, she was not indifferent. The fact did not cool Montes’s
passion, but it changed him somehow. The Spanish in him was the part
that so ardently loved and hated; his mother had been French, and from
her he had inherited qualities that kept him eternally in conflict with
his instincts.
Montes had his living quarters in Mérida, where all the rich henequen
planters had town houses. It was not a long horseback ride out to
the haciendas of the two families in which Montes had become most
interested. His habit of late, after returning from a visit to the
henequen fields, had been to choose the early warm hours of the
afternoon to call upon Señorita Mendoza. There had been a time when
his calls had been formally received by the Donna Isabel, but of late
she had persisted in her siesta, leaving Montes to Dolores. Montes
had grasped the significance of this--the future of Dolores had been
settled and there no longer was risk in leaving her alone. But Montes
had developed a theory that the future of any young woman was an
uncertainty.
Public-domain text, read in full here on John Shaqi.
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