American fiction -- 20th century; Short stories, American
The Mendoza town house stood in the outskirts of fashionable Mérida.
The streets were white, the houses were white, the native Mayan women
wore white, and always it seemed to Montes as he took the familiar
walk that the white sun blazed down on an immaculate city. But there
were dark records against the purity of Mérida and the Yaqui slave
driving was one of them. The Mendoza mansion had been built with money
coming from the henequen fields. It stood high on a knoll, a stately
white structure looking down upon a formal garden, where white pillars
and statues gleamed among green palms and bowers of red roses. At
the entrance, on each side of the wide flagstone walk, stood a huge
henequen plant.
On this day the family was in town and Montes expected that the
señorita would see him coming. He derived pleasure from the assurance
that, compared with Perez, he was someone good to look at. Beside him
the officer was a swarthy undersized youth. But Montes failed to see
the white figure of the girl and suffered chagrin for his vanity.
The day was warm. As he climbed the high, wide stone steps his brow
grew moist and an oppression weighed upon him. Only in the very early
morning here in Yucatan did he ever have any energy. The climate was
enervating. No wonder it was that servants and people slept away the
warmer hours. Crossing the broad stone court and the spacious outside
hall, Montes entered the dim, dark, musty parlors and passed through to
the patio.
Here all was colorful luxuriance of grass and flower and palm, great
still ferns and trailing vines. It was not cool, but shady and moist.
Only a soft spray of falling water and a humming of bees disturbed the
deep silence. The place seemed drowned in sweet fragrance, rich and
subtle, thickening the air so that it was difficult to breathe. In a
bower roofed by roses lay Señorita Mendoza, asleep in a hammock.
Softly Montes made his way to her side and stood looking down at her.
As a picture, as something feminine, beautiful and young and soft and
fresh and alluring, asleep and therefore sincere, she seemed all that
was desirable. Dolores Mendoza was an unusual type for a Yucatecan of
Spanish descent. She was blond. Her hair was not golden, yet nearly
so; she had a broad, low, beautiful brow, with level eyebrows, and the
effect of her closed lids was fascinating with their promise; her nose
was small, straight, piquant, with delicate nostrils that showed they
could quiver and dilate; her mouth, the best feature of her beauty, was
as red as the roses that drooped over her, and its short curved upper
lip seemed full, sweet, sensuous. She had the oval face of her class,
but fair, not olive-skinned, and her chin, though it did not detract
from her charms, was far from being strong. Perhaps her greatest
attraction, seen thus in the slumber of abandon, was her slender form,
round-limbed and graceful.
Public-domain text, read in full here on John Shaqi.
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