The bubbles, eking out of nostrils, ran over pate and neck and shook
off between the shoulders, to rise in clusters the size of hawthorn
peggles; the dog-otter was swimming with his forelegs tucked against
his chest. Near the bridge the bubbles rose large as oak-apples; he
was kicking four webs together, having sighted the fish. The bubbles
ended in another swirl by a weed-fringed sterling, and a delicate swift
water-arrow shot away between the two piers of the middle arch--the
peal, or sea-trout, had gone down, passing three inches off the snapt
jaws.
The river became silent again, save where it murmured by root and rock.
Old Nog the heron alighted by a drain behind the sea-wall of the marsh
two miles below Halfpenny Bridge, whither he had straightly flown. The
white owl had just caught by an old straw rick its second mouse, which,
like the first, caught five minutes before, was swallowed whole.
Where water clawed the stones at the tail of the pool, the peal leapt
to save itself from the bigger enemy ever trudging and peering behind
it. It fell on the shillets, on its side, and flapped, once, then lay
still, moving only its gills. Then a dog-otter was standing by it,
holding up his nose to sniff the air when a thin, wavy, snarling cry
rose out of the river. It was the bitch's yinny-yikker, or threat. She
ran upon the fish, pulled it away from the dog, who was not hungry, and
started to eat it.
While she was chawing the bones and flesh of the head the dog played
with a stone, and only when she had turned away from the broken fish
did he approach and lick her face in greeting. Her narrow lower jaw
dropped in a wide yawn which showed the long canine teeth, curved
backwards for holding fish, and kept white by the strength of bites.
The yawn marked the end of a mood of anxiety. The dog had caught and
eaten a peal on his journey, and was ready for sport and play, but
the bitch did not follow him into the river. She felt the stir of her
young, snarled at the dog in sudden fear, and turned away from the
water.
Public-domain text, read in full here on John Shaqi.
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