The music seemed fumbling in a confused mass of memory, but finding
nothing definite. All it managed to bring to light was a small cheap
photograph, taken at a Bauern Bal, with a flat German student’s cap.
The man remained just his photograph. Their hostess also was dancing.
Kreisler noted her with a wink of recognition. Dancing very slowly,
almost mournfully, he and his partner bumped into her each time as they
passed. The Widow felt the impact, but it was only at the third round
that she perceived the method and intention inducing these bumps. She
realized they were going to collide with the other lady. The collision
could not be avoided. But she shrank away, made herself as small and soft
as possible, bumped gently and apologized over her shoulder, with a smile
and screwing up of the eyes, full of meaning. At the fourth turn of the
room, however, Kreisler having increased her speed sensibly, she was on
her guard, and in fact already suggesting that she should be taken back
to her seat. He pretended to be giving their hostess a wide berth this
time, but suddenly and gently swerved, and bore down upon her. The Widow
veered frantically, took a false step, tripped on her dress, tearing
it, and fell to the ground. They caused a circular undulating commotion
throughout the neighbouring dancers like a stone falling in a pond.
Several people bent down to help Mrs. Bevelage—Kreisler’s assistance
was angrily rejected. His partner scrambled to her feet and went to the
nearest chair, followed by one or two people.
“Who is he?”
“He’s drunk.”
“What happened?”
“He ought to be turned out!” people said who had seen the accident.
Kreisler regained the conservatory with great dignity.
But now Fräulein Lippmann, alone, appeared before him as he lay stretched
in his chair, and said in a tight, breaking voice:
“I think, Herr Kreisler, you would do well now, as you have done nothing
all the evening but render yourself objectionable, to relieve us of your
company. I don’t know whether you’re drunk. I hope you are, for⸺”
“You hope I’m drunk, Fräulein?” he asked in an astonished voice.
He remained lolling at full length.
“A lady I was dancing with fell over, owing entirely to her own
clumsiness and intractability—but perhaps she was drunk; I didn’t think
of that.”
“So you’re not going?”
“Certainly, Fräulein—when you go! We’ll go together.”
Public-domain text, read in full here on John Shaqi.
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