This preliminary discomfort was less than ever spared him here. He had
cut his way to this decision (to go and live in Montmartre), through a
bristling host of incertitudes. A place would have had to be particularly
spacious to convince him. This large studio-room was worse than any
desert. It had been built for something else, and would never be right.—A
large square whitewashed box was what he wanted to pack himself into.
This was an elaborate carved chest of a former age. He would no doubt
pack it eventually with consoling memories of work. He started work at
once, in fact. This was his sovereign cure for new rooms.
Half an hour after his taking possession, it being already time for
the _apéritif_, he issued forth into the new quarter. There were a few
clusters of men. The Spanish men dancers were coloured earth-objects,
full of basking and frisking instincts; the atmosphere of the harlot’s
life went with them, and Spanish reasonableness and civility. He chose a
café on the Place Clichy. The hideous ennui of large gimcrack shops and
dusty public offices pervaded other groups of pink, mostly dark-haired
Frenchmen drinking appetizers. They responded with their personalities on
the café terraces to the emptiness of the boulevard.
He had not any friends in Montmartre. But he had not been at the café
above a few minutes, when he saw a familiar face approaching. It was a
model (Berthe, by name, though bringing no reminder with her of the other
“Berthe” he knew) with an English painter he saw for the first time,
but whom he had just heard about in connexion with this girl. Berthe
knew Tarr very slightly. But she chose a table near him, with a nod, and
shortly opened conversation. She meant to talk to him evidently. She
asked about one or two people Tarr knew.
“Do you wish me to present you?” she said, looking towards her protector.
“This is Mr. Tarr, Dick.”
So it was done.
“Why don’t you come and sit here?” That too was done, partly from
inquisitiveness.
The young Englishman annoyed Tarr by pretending to be alarmed every
time he was addressed. He had a wide-open, wondering eye, fixed on the
world in timid serenity. It did not appear at first to understand what
you said, and rolled a little alarmedly, even so only to be filled the
next moment with some unexpected light of whimsical intelligence. It had
understood all the time! It was only its art to surprise you, and its
English affectation of unreadiness and childishness.
Public-domain text, read in full here on John Shaqi.
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