They got to their coffee more or less decorously. But Tarr had grown
extremely loquacious and expansive in every way. He began slapping her
thighs to emphasise his points, as Diderot was in the habit of doing
with the Princesse de Clèves. After that he began kissing her, when
he had made a particularly successful remark, to celebrate it. Their
second bottle of wine had put many things to flight. He lay back in his
chair in prolonged bursts of laughter. She, in German fashion, clapped
her hand over his mouth, and he seized it with his teeth and made pale
shell-shapes in its brown fat.
In a café opposite the restaurant, where they next went, they had further
drinks.
They caressed each other’s hands now as a matter of course! Indifferent
to the supercilious and bitter natives, they became lost in lengthy
kisses, their arms round each other’s necks. In a little cave of
intoxicated affection, a conversation took place.
“Have you had dealings with many⸺?”
“What’s that you say, dear?” she asked with eager, sleepy seriousness.
The “dear” reminded him of accostings in the streets.
“Have you been the mistress of many men?”
“No, of course not. Only one. He was a Russian.”
“What’s that got to do with it?”
“What did you say?”
“How much did he bag?”
“Bag?”
“What did the Russian represent?”
“Nothing at all, Tarr. That’s why I took him. I wanted the experience.
But now I want you! You are my first _person_!” Distant reminiscences of
Bertha, grateful to him at present.
Kisses succeeded.
“I don’t want _you_!” Tarr said.
“Oh! Tell me what you want?”
“_I want a woman!_”
“But I am a woman, stupid!”
“I want a _slave_.”
She whispered in his ear, hanging on his neck.
“No! You may be a woman, but you’re not a slave.”
“Don’t be so quarrelsome. Forget those silly words of yours—slave, woman.
It’s all right when you’re talking about art, but you’re hugging a woman
at present. This is something that can die! Ha ha! We’re in life, my
Tarr. _We represent absolutely nothing_—thank God!”
“I realize I’m in life, darling. But I don’t like being reminded of it in
that way. It makes me feel as though I were in a _mauvais lieu_.”
“Give me a kiss, you _efficient chimpanzee!_”
Tarr scowled at her, but did not alter the half-embrace in which they sat.
“You won’t give me a kiss? Silly old _in_efficient chimpanzee!”
She sat back in her chair, and head down looked through her eyelashes at
him with demure menace.
“_Garçon! garçon!_” she called.
“Mademoiselle?” the _garçon_ said, approaching slowly, with dignified
scepticism.
“This gentleman, _garçon_, wants to be a lion with fleas on his back—at
least so he says! At the same time he wants a slave. I don’t know if he
expects the slave to catch his fleas or not. I haven’t asked him. But
he’s a funny-looking bird, isn’t he?”
The _garçon_ withdrew with hauteur.
“What’s the meaning of your latest tack, you little German art-tart?”
“What am I?”
“I called you German æsthetic pastry. I think that describes you.”
Public-domain text, read in full here on John Shaqi.
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