“Oh, _tart_, is it?”
“Anything you like. Very well made, puffed out. With _one_ solitary
Russian, _bien entendu_!”
“And what, good God, shall we call the cow-faced specimen you spend the
greater part of your days with⸺”
“She, too, is German pastry, more homely than you though⸺”
“Homely’s the word!”
“But not quite so fly-blown. Less variegated creams and German
pretentiousness⸺”
“I see! And takes you more seriously than other people would be likely
to! That’s what all your ‘quatch’ about ‘woman’ and ‘slave’ means. You
know that!”
She had recovered from the effects of the drinks completely and was
sitting up and talking briskly, looking at him with the same serious,
rather flattened face she had had during their argument on Art and Death.
“I know you are a famous whore, who becomes rather acid in your
cups!—when you showed me your legs this evening, I suppose I was meant⸺”
“Assez! Assez!!” She struck the table with her fist.
“Let’s get to business.” He put his hat on and leant towards her. “It’s
getting late. Twenty-five francs, I’m afraid, is all I can manage.”
“Twenty-five francs for what? With you—it would be robbery! Twenty-five
francs to be your audience while you drivel about art? Keep your money
and buy Bertha an—_efficient chimpanzee_! She will need it if she marries
you!”
Her mouth drawn tight and her hands in her coat pockets, she walked out
of the door of the café.
Tarr ordered another drink.
“It’s like a moral tale told on behalf of Bertha,” he thought. That was
the temper of Paradise! The morality, in pointing to Bertha, did her no
good, but caused her to receive the _trop-plein_ of his discontent.
He sat in a grim sulk at the thought of the good time he had lost. This
scene had succeeded in touching the necessary spring. His vanity helping,
for half an hour he plotted his revenge and satisfaction together.
Anastasya had violently flung off the illusion of indifference in which
she had hitherto appeared to him. The drinks of the evening were a
culture in which his disappointment grew luxuriantly, but with a certain
buffoonish lightness. He went back to his studio in half an hour’s time
with smug, thick, secretive pleasure settling down on his body’s ungainly
complaints.
CHAPTER III
He went slowly up the stairs feeling for his key. He arrived at the door
without having found it. The door was ajar. At first this seemed natural
to him, and he continued the search for the key. Then he suddenly dropped
that occupation, pushed the door open and went into his studio. The
moonlight came heavily through the windows. In a part of the room where
it did not strike he became aware of an apparition of solid white. It was
solid white flowed round by Naples yellow. It crossed into the moonlight
and faced him, its hands placed like a modest statue’s. The hair reached
below the waist, and flowed to the right from the head. This tall nudity
began laughing with a harsh sound like stone laughing.
Public-domain text, read in full here on John Shaqi.
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