They sat for some minutes with what appeared a stately discomfort
of self-consciousness, staring in front of them.—It was really only
a dreary, boiling anger with themselves, with the contradictions of
civilized life, the immense and intricate camouflage over the hatred
that personal diversities engender. “Phew, phew!” A tenuous howl, like
a subterranean wind, rose from the borderland of their consciousness.
They were there on the point of opening with tired, ashamed fingers,
well-worn pages of their souls, soon to be muttering between their teeth
the hackneyed pages to each other: resentful in different degrees and
disproportionate ways.
And so they sat with this absurd travesty of a Quaker’s meeting: shyness
appearing to emanate masterfully from Tarr. And in another case, with
almost any one but Hobson, it might have been shyness. For Tarr had
a gauche, Puritanical ritual of self, the result of solitary habits.
Certain observances were demanded of those approaching, and quite
gratuitously observed in return. The fetish within—soul-dweller that is
strikingly like wood-dweller, and who was not often enough disturbed
to have had sylvan shyness mitigated—would still cling to these forms.
Sometimes Tarr’s cunning idol, aghast at its nakedness, would manage to
borrow or purloin some shape of covering from elegantly draped visitor.
But for Hobson’s outfit he had the greatest contempt.
This was Alan Hobson’s outfit.—A Cambridge cut disfigured his originally
manly and melodramatic form. His father was a wealthy merchant somewhere
in Egypt. He was very athletic, and his dark and cavernous features
had been constructed by Nature as a lurking-place for villainies and
passions. He was untrue to his rascally, sinuous body. He slouched and
ambled along, neglecting his muscles: and his dastardly face attempted
to portray delicacies of common sense, and gossamer-like backslidings
into the Inane that would have puzzled a bile-specialist. He would
occasionally exploit his blackguardly appearance and blacksmith’s muscles
for a short time, however. And his strong, piercing laugh threw A B C
waitresses into confusion.
The Art-touch, the Bloomsbury stain, was very observable. Hobson’s
Harris tweeds were shabby. A hat suggesting that his ancestors had been
Plainsmen or some rough sunny folk, shaded unnecessarily his countenance,
already far from open.
The material for conversation afforded by a short sea voyage, an
absence, a panama hat on his companion’s head, had been exhausted.—Tarr
possessed no deft hand or economy of force. His muscles rose
unnecessarily on his arm to lift a wine-glass to his lips. He had no
social machinery, but the cumbrous one of the intellect. He danced
about with this, it is true. But it was full of sinister piston-rods,
organ-like shapes, heavy drills.—When he tried to be amiable, he usually
only succeeded in being ominous.
Public-domain text, read in full here on John Shaqi.
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