It lay in a broad hollow, a large, irregular circular bowl surrounded by
gently sloping hillsides. The bowl was entirely filled by water--a broad
flat lake of silver which from this height showed us its pearly bottom.
On the water--seen from above--the houses seemed floating--clusters of
lily pads on a placid shining pool. They were, in reality, flat cubical
buildings solidly built of rectangular blocks of stone, standing just
above the water level on solid stone foundations. Always green and
white--stones like blocks of smooth, polished marble, set in green and
white patterns. Balconies and cornices of what might have been gleaming,
beaten copper. Flat roofs, edged with scarlet flowers.
Some of the buildings were low and small. Others of several stories,
pretentious and ornate. One very large, like a palace, standing alone on
its verdant island.
The houses were mostly gathered in clusters of various shapes and sizes.
Yet a semblance of order prevailed. Winding streets of open water lay
between the groups. There were trellised walks and arching spider
bridges, sometimes over the streets, sometimes joining one house to
another.
Here and there I saw lagoons of open water, dotted with small green
islands like parks--islands on which the vegetation grew far higher and
more luxuriant than any even in the tropics of our Earth. Vegetation
always under careful training and control. Profuse with flowers, vivid
and gigantic. The houses too, were roofed with gardens--sometimes
with pergolas and trellises of the aerial scarlet blossoms.
Occasionally--these latter details I observed as we descended close upon
the city--I saw houses with a tiny swimming pool on the roof--a private
pool hidden in masses of colored flowers.
A playground--the playground of Venus. It seemed very
backward--uncivilized. And then Wolfgar pointed out the surrounding
hillsides. On them, cleared of their vegetation, our modern civilization
stood gaunt and efficient. Towers, aerials, landing stages, aerial
trams, factories, tall stacks over the dynamo houses belching thick
black smoke, which artificial wind-generators carefully blew away from
the city.
In the midst of their hillside ring of necessary modernity, the people
of the Great City had kept their playground inviolate. Work, science,
industry--all necessary. But the real business of life was pleasure.
Art, music, beauty.... And I am not far from thinking that unless
abused, their formula is better than ours.
CHAPTER XVII
_Violet Beam of Death_
Public-domain text, read in full here on John Shaqi.
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