From this distance the whole scene was a riot of color and great red and
purple auroral lights of Venus, which at this midnight hour rode the
upper sky, tinged everything vividly. The archway lights were soft rose,
silver and gold. Some of the tiny islands, from sources hidden were
bathed in bright silver. Others darker, in deep purple and red; still
others, quite unlighted, dim and shadowed, touched only by the reflected
glow from those near them.
From the main island lights were flashing into the sky; occasional color
bombs mounted and burst, painting the heavens.
A riot of color. And then as we approached, I became aware of sound and
movement as well. Music from scores of unseen sources. Music from single
isolated instruments floating softly over the water--lovers playing
accompaniment to their pleading voices; or again, groups of voices--the
curiously mellow voices of young girls--and, on an island apart, music
from an aerial carrying strains from the public _concelan_.[18]
[Footnote 18: Orchestra.]
It was all music of a type unfamiliar to me of Earth. The
intellectuality of our Earth music was missing. This music of Venus was
built upon queer minor strains; unfinished cadences; a rhythm of the
sort we of Earth could never encompass. I listened, and felt the appeal
of my senses. The lavish, abandoned music of barbarism? I had almost
thought it that. Yet it was not. Rather was it decadent. This whole
scene; the color, the music, the heavy cloying scents with which the
night air was redolent; the warm, sensuous abandonment, felt rather than
made obvious--it was not barbarism, but decadence. And I realized then
how close are the two extremes. A reversion to type, merely. And I knew,
then, that from the pinnacle of civilization which we of Earth had
reached, naught lay before us but this.
Music everywhere throughout the festival. And movement. As we floated
out of the canal, passing slowly along one of the broader waterways,
boats and barges slipped past us. Barges crowded with revelers. And the
small boats, generally with but a man and a girl--fugitive couples with
the holiday spirit upon them, seeking the shadowed nooks of islands for
their love-making.
In one lagoon we came upon such a boat. The man in it--a gay youth in
red and black motley, with the mask fallen from his laughing, perspiring
face--was in its stern, manipulating it with a long, thin paddle. The
girl was lying face down on cushions in its prow. She was facing
forward, with her long white hair tumbling about her. Around the boat
were clustered a number of other boats. Each was small, with only a man
in it. A ring of boats, besieging the girl. Our barge paused to watch. A
boat would dash forward, its occupant standing up to thrust it on. But
the girl, swung to meet it by the efforts of her escort, would turn her
cylinder of _alcholite_[19] upon the attacker. Befuddled, her adversary
would retreat; or another, momentarily drunk, would fall into the water
to be sobered.
Public-domain text, read in full here on John Shaqi.
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