Tarry thou till I come; or, Salathiel, the wandering Jew.Croly, George
General
Tarry thou till I come; or, Salathiel, the wandering Jew.
Croly, George
Wandering Jew -- Fiction
Music, of all pleasures the most intellectual, that glorious painting
to the ear, that rich mastery of the gloomier emotions of our nature,
was studied by the priesthood with a skill that influenced the habits
of the country. How often have my fiercest perturbations sunk at the
sounds that once filled the breezes of Judea! How often, when my brain
was burning and the blood ran through my veins like molten brass, have I
been softened down to painless tears by the chorus from our hills, the
mellow harmonies of harp and horn blending with the voices of the youths
and maidens of Israel! How often have I in the night listened, while
the chant, ascending with a native richness to which the skill of other
nations was dissonance, floated upward like a cloud of incense, bearing
the aspirations of holiness and gratitude to the throne of Him whom man
hath not seen nor can see!
[Sidenote: The Glory of the Past]
But those times are sunk deep in the great gulf that absorbs the
happiness and genius of man. I have since traversed my country in its
length and breadth; I have marked with my weary feet every valley, and
made my restless bed upon every hill from Idumea to Lebanon, and from
the Assyrian sands to the waters of the Mediterranean; yet the harp and
voice were dead. I heard sounds on the hills, but they were the cries of
the villagers flying before some tyrant gatherer of a tyrant’s tribute. I
heard sounds in the midnight, but they were the howl of the wolf and the
yell of the hyena reveling over the naked and dishonored graves, which
the infidel had given, in his scorn, to the people of my fathers.
But the study to which the largest expenditure of wealth and labor was
devoted was, as it ought to be, that of the sacred books of Israel.
It only makes me rebellious against the decrees of fate to think of
the incomparable richness and immaculate character of the volumes over
which I have so often hung, and look upon the diminished and degraded
exterior in which their wisdom now lies before man. Where are now the
cases covered with jewels, the clasps of topaz and diamond; the golden
arks in which the volume of the hope of Israel lay, too precious not to
be humiliated by the contact with even the richest treasure of earth?
Where are the tissued curtains, which hid, as in a sanctuary, that mighty
roll, too sacred to be glanced on by the casual eye? But, the spoiler—the
spoiler! The Arab, the Parthian, the human tiger of the north, that lies
crouching for a thousand years in the sheepfold of Judah! Is there not a
sword? Is there not a judgment? Terribly will it judge the oppressor.
Public-domain text, read in full here on John Shaqi.
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