If Tarascon epitomizes the South, Tartarin epitomizes Tarascon. He is
not only the first citizen of the town, he is its soul, its genius, he
has all its finest whimseys. We know his former exploits, his triumphs
as a singer (oh! that duet of “Robert le Diable” in Bézuquet’s
pharmacy!), and the amazing odyssey of his lion-hunts, from which he
returned with that splendid camel, the last in Algeria, since deceased,
laden with honours and preserved in skeleton at the town museum among
other Tarasconese curiosities.
Tartarin himself has not degenerated; teeth still good and eyes good, in
spite of his fifties; still that amazing imagination which brings nearer
and enlarges all objects with the power of a telescope. He remains the
same man as he of whom the brave Commander Bravida used to say: “He’s a
_lapin_...”
Or, rather, _two lapins!_ For in Tartarin, as in all the Tarasconese,
there is a warren race and a cabbage race, very clearly accentuated:
the roving rabbit of the warren, adventurous, headlong; and the
cabbage-rabbit, homekeeping, coddling, nervously afraid of fatigue, of
draughts, and of any and all accidents that may lead to death.
We know that this prudence did not prevent him from showing himself
brave and even heroic on occasion; but it is permissible to ask what
he was doing on the Rigi (_Regina Montium_) at his age, when he had so
dearly bought the right to rest and comfort.
To that inquiry the infamous Costecalde can alone reply.
Costecalde, gunsmith by trade, represents a type that is rather rare in
Tarascon. Envy, base, malignant envy, is visible in the wicked curve of
his thin lips, and a species of yellow bile, proceeding from his liver
in puffs, suffuses his broad, clean-shaven, regular face, with its
surface dented as if by a hammer, like an ancient coin of Tiberius or
Caracalla. Envy with him is a disease, which he makes no attempt
to hide, and, with the fine Tarasconese temperament that overlays
everything, he sometimes says in speaking of his infirmity: “You don’t
know how that hurts me...”
Naturally the curse of Costecalde is Tartarin. So much fame for a single
man! He everywhere! always he! And slowly, subterraneously, like a
worm within the gilded wood of an idol, he saps from below for the last
twenty years that triumphant renown, and gnaws it, and hollows it. When,
in the evening, at the club, Tartarin relates his encounters with lions
and his wanderings in the great Sahara, Costecalde sits by with mute
little laughs, and incredulous shakes of the head.
“But the skins, _au mouain_, Costecalde... those lions’ skins he sent
us, which are there, in the salon of the club?..”
“_Té! pardi_... Do you suppose there are no furriers in Algeria?..”
“But the marks of the balls, all round, in the heads?”
“_Et autremain_, did n’t we ourselves in the days of the cap-hunts see
ragged caps torn with bullets at the hatters’ for sale to clumsy shots?”
Public-domain text, read in full here on John Shaqi.
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