American drama -- 19th century; Romance fiction, American; United States -- Social life and customs -- 19th century -- Fiction
“I always did hate a quitter on the home stretch,” chimed in the
discontented cob, pleased to have a grievance.
The narrator shook his head.
“No gentleman,” he asserted, “who overheard what followed would ever
tell of it; and a horse has an even higher standard of honour.”
“Ah, darling Mr. Reveille,” pleaded the feminine part of his audience,
“just a little more!”
“I hate to seem mulish,” responded the horse, “and so I will add one
small incident that is too good not to be repeated. When we rode up to
the house that evening, shamefully late for dinner, my Major lifted Miss
Fairley off Miss Gaiety in a way that suggested that she might be very
breakable, and, after something I don’t choose to tell you about, he
said:
“‘I wonder if we shall ever have another such ride!’
“‘It doesn’t seem possible, Stanley,’ whispered my Felicia, very softly.
‘You know, even the horses seemed to understand!’”
Just as Reveille finished thus, a human voice was heard, saying:
“You will have the veterinary see the cob at once, and let me know if it
is a case which requires more than blistering.”
Then came a second and very treble voice. “Papa,” it begged, “will oo
lif’ me up on ol’ Weveille’s back?” And the next moment a child of three
was sitting astride the old warrior and clinging to his mane.
“Well, you old scoundrel,” said the human, “do you know you are getting
outrageously fat?”
“Weveille isn’t not any scoundwel,” denied the child, earnestly. “Mama
says Weveille is a’ ol’ darlin’.”
“Your mama, fortunately for Reveille and me, always had a soft spot for
idiots,” explained the man, stroking the horse’s nose affectionately.
“But I will say this for the old fellow: if most folly resulted as well
as his, there would be a big premium on fools.”
Reveille winked his off eye at the other steeds.
“Aren’t these humans comical?” he laughed.
A WARNING TO LOVERS
❦
Before some blazing logs, which fill a deep fireplace with warmth that
overflows to just the right extent into the room, stands, slightly
skewed, a sofa. The sofa is a comfortable one. It is short, deep, and
low; and the arms have a suggestion of longing to be filled that is
truly seductive. In addition, two down cushions imply that the sofa is
quite prepared to fit itself to any figure, be it long, short, broad, or
narrow. Altogether, it is a most satisfactory sofa.
But the satisfactoriness does not end here. Seated at one end of that
sofa is a girl, clearly in that neither grass nor hay period, which
begins at sixteen and ends at eighteen. Not that it is intended to
suggest that because the girl is neither hay nor grass she is
unattractive. Quite the reverse. New-mown hay is the sweetest, and the
girl, if neither child nor woman, is, in her way, just as sweet.
Public-domain text, read in full here on John Shaqi.
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