American drama -- 19th century; Romance fiction, American; United States -- Social life and customs -- 19th century -- Fiction
“Isn’t it glorious?”
“Lovely,” assented Champney, emphatically, but staring all the time at
Frances, making it doubtful of what he was speaking.
Frances, being quite conscious of this gaze, looked all the harder at
the view. “The mountains shut in so grandly!” she remarked, after a
pause.
“Such perfect solitude!” said Champney, enthusiastically.
“Yes,” assented Frances, with apparent reluctance in admitting the fact.
“But I suppose we must be going down again; mama will be lonely.”
Champney calmly seated himself on a stone, unstrung his field-glass, and
surveyed through it the edge of the lake, far below them. “Your mother,”
he announced, “is sitting on the rug, just where we left her. Her back
is against the tree, and she is pretending to read. But she’s doing
nothing of the kind. She is taking a nap on the sly. Surely you don’t
want to disturb her?”
“It must be nearly luncheon time.”
“The boatmen haven’t even begun to unpack yet. Johann is just taking the
Vöslauer out of the boat, to cool it in the lake. They won’t be ready
for half an hour.”
Frances began to look a little worried. There was a dangerous
persistence in this evident desire to remain on the alp. “I think I’ll
go down, anyway,” she said.
“You mustn’t do that,” begged Champney, laying the field-glass on the
rock.
“Why not?” demanded Frances.
“Because I have something to say to you,” said Champney.
Silence and apparent interest in the view on the part of Frances.
“Do you know,” asked Champney, “that I planned to be away for only two
months?”
“Yes.”
“And that I have been over here more than eight?”
“Oh, not so long as that,” denied Frances.
“Eight months and four days.”
“How quickly the time has gone!”
“But it has gone, and that’s the trouble. I have decided that I _must_
go back in September.”
Frances hesitated, and then said bravely, “We shall be very sorry to
have you go.”
“That makes it all the harder,” groaned Champney, rising and joining
Frances. “In fact, I hate so to leave you” (“you” can be plural or
singular) “over here that—that I want you to go back with me. Will you?”
“Why, that is for mama and papa to settle,” remarked Frances, artfully
dodging the question, though perfectly understanding it.
“This isn’t to be settled by fathers and mothers. My dar—my—I want you
to go—because you have become so dear to me. I want to tell you—to tell
you how I have grown to love you in these months. How happy you can make
me by a single word. I—you—once you told me you were not ‘my dear
child.’ Oh, Frances, won’t you be my dearest love?”
“If you want me to be,” acceded Frances.
⁂
Public-domain text, read in full here on John Shaqi.
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