The example of the teetotalers was followed by other reformers. The
_Preston Temperance Advocate_, of October, 1837, says:--"A tea-party
was held at Salford, in honour of the return of Joseph Brotherton,
Esq., M.P., for this town, to which he was invited. It was attended
by 1050 persons, nearly 900 of whom were ladies, and the spectacle
presented to the eye by such an assemblage was one of the most pleasing
which I have ever witnessed." The Anti-Corn-Law League also adopted
similar means of bringing their friends and subscribers together.
"On the 23rd of November, 1842," writes Mr. Archibald Prentice, the
historian of the movement, "the first of a series of deeply-interesting
_soirées_ in Yorkshire, in furtherance of the great object of Corn-Law
Repeal, was celebrated in the saloon, beautifully decorated for the
occasion, of the Philosophical Hall, Huddersfield. The occasion,
says the _Leeds Mercury_, was one of high importance, not only for
the dignity and benevolence of the object contemplated, but for the
enthusiastic spirit manifested by the assembly of both sexes, of
the first respectability, extensive in number, and intelligent and
influential in its character. More than 600 persons sat down to tea,
and more than double that number would have been present had it been
possible to provide accommodation." Mr. Prentice records many other
tea-meetings attended by 600 and 800 persons. "In Manchester," writes
Mr. Henry Ashworth, "a number of ladies took up the Corn-Law question,
and held an Anti-Corn-Law tea-party, which was attended by 830 persons."
[Illustration: WATERING A TEA-PLANTATION.]
A hymn was specially composed for use at temperance gatherings, its
purport being to show the superiority of tea-meetings over public-house
meetings. It consisted of eight verses, and was printed in the _Moral
Reformer_ of February, 1833. One verse will give an idea of its
character:--
"Pure, refined, domestic bliss,
Social meetings such as this,
Banish sorrow, cares dismiss,
And cheer all our lives."
Total abstinence has not yet found much favour among artists, who too
often paint the fleeting pleasures of the wine-cup rather than the
enduring pleasures of temperance; but in Mr. Collingwood Banks we have
an artist who can sing the praises of a cup of tea as well as paint
the charms of a fireside tea-table. To him we are indebted for the
following song, which ought speedily to become popular among temperance
societies:--
"THE CUP FOR ME.
"Let others sing the praise of wine,
Let others deem its joys divine,
Its fleeting bliss shall ne'er be mine,
Give me a cup of tea!
The cup that soothes each aching pain,
Restores the sick to health again,
Steals not from heart, steals not from brain,
A friend when others flee.
Public-domain text, read in full here on John Shaqi.
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