Teachers' outlines for studies in English, based on the requirements for admission to collegeBlakely, Gilbert Sykes
General
Teachers' outlines for studies in English, based on the requirements for admission to college
Blakely, Gilbert Sykes
English language -- Study and teaching
Does the author's devotion to this idea mar at all your interest in the
book as a story?
What truth does Godfrey Cass's life illustrate?
What satire do you find on people or customs?
METHOD OF NARRATION.--Who tells the story?
Could the author have made one of the characters tell the story just as
well? Give reasons.
Does the narrator write as though in some mysterious way she knew all
about the characters, or does she write only what she might have seen
and heard?
To what extent does she use dialogue?
How do we become acquainted with the characters?
Find several passages where the author interrupts the flow of her story
to make explanations for our benefit (for example, pp. 100-101).
STYLE.--Does the author use the language of her own time?
To what extent does she make use of dialect?
Is the language of the characters consistent with the author's
description of them? Note the difference in choice of words and grace of
expression when the author speaks in her own person, and when she speaks
through the mouth of one of her characters.
Find passages that express humor (pp. 201-203), pathos (pp. 67-69),
satire (pp. 184-185).
THE LIFE AND CHARACTER OF THE AUTHOR.--What do we know of George Eliot's
early home? education? religious experiences? life while manager of the
house at Griff? life at Coventry? early literary work? first attempt at
novel writing? success as a novelist?
Would you judge from this book that she was fond of social life? simple
country life? animals? children? books? Give your reasons.
How do you suppose she knew how to describe the horse sale? the evening
at the Rainbow?
COMPARISON.--Is our interest in this book chiefly in the setting? in the
plot? in the characters? in the idea? in the style? or in all of these
factors equally?
Compare _Silas Marner_ in these five particulars with _Ivanhoe_ and with
_The Vicar of Wakefield_.
II. THE TEACHING OF NARRATIVE POETRY
Much has been said, and said with force, about the impossibility of
_teaching_ literature. But while many believe that certain kinds of
literature can be taught with marked success, they are apt to feel the
force of the above contention when they attempt to teach poetry.
Public-domain text, read in full here on John Shaqi.
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