Teachers' outlines for studies in English, based on the requirements for admission to collegeBlakely, Gilbert Sykes
General
Teachers' outlines for studies in English, based on the requirements for admission to college
Blakely, Gilbert Sykes
English language -- Study and teaching
What chances had Shakespeare had to observe the different kinds of life
portrayed here?
PLOT.--Show the steps of the plot from its beginning in I, 2 to its
climax in III, 2, and from the climax to the conclusion.
Compare this play with _The Merchant of Venice_ in respect to tragic
features and to simplicity.
Why are the minor love stories introduced?
CHARACTERS.--Contrast Orlando and Oliver as they are first presented.
What is there to give us a good impression of Orlando before he does
anything to earn it? Show how our good opinion of him is strengthened by
his actions in I, 2; II, 6; IV, 3, etc.
What first prejudices us in favor of Rosalind? How does the author use
Celia to make us like Rosalind the more? What characteristics are
brought out to give us further admiration for Rosalind in II, 4; III, 2;
III, 4; IV, 3; V, 2, etc.?
What is the chief characteristic of Jacques that distinguishes him from
his companions? How is his view of life made to add to our appreciation
of the life in the forest? Note how many of the fine passages of the
play Shakespeare has put in the mouth of Jacques. Why do you suppose he
did this?
Contrast the two dukes. Are they conventional characters, or do they
have distinct personalities? Compare Touchstone with Wamba in _Ivanhoe_.
FORM.--What is the normal meter?
Show how Shakespeare varies the normal line by changing the number of
the syllables; the relative position of the accented and the unaccented
syllables; and the position of the pauses.
What characters always speak in prose? There is no accepted theory to
account for Shakespeare's use of prose, but can you see any difference
in the importance of the thought or in the depth of feeling between
scenes altogether in prose and those altogether in verse?
THE LIFE AND CHARACTER OF THE AUTHOR.--See outline for the study of _The
Merchant of Venice_, p. 72.
OUTLINE FOR THE STUDY OF JULIUS CÆSAR
I. Preparation
Little is required to arouse the interest of any class in the play of
_Julius Cæsar_. A brief account of the salient facts of Roman history
that center about Cæsar's life, and an interesting account of the man
himself will help the student to an appreciative study.
II. Reading and Study
The purpose of the first and second readings will be the same as that
stated in the previous two outlines.
III. Study of the Play as a Whole
SETTING.--When does the play open? What two events of history has
Shakespeare combined in Act I? Why?
How many days are required for the action of the play?
Show where the scenes follow one another without loss of time, and where
they do not.
How are the descriptions of nature used to make the action more
effective? Compare Shakespeare's use of storm and prodigy in this play
with that in _Macbeth_.
Public-domain text, read in full here on John Shaqi.
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