Yoga Rama then made a long speech about happiness depending on our own selves and our being what we willed ourselves to be. He asserted that he had overcome in himself the passion of anger. He laboured these points so much and repeated himself so often that it became manifest he was making the speech solely with the object of filling up the time. The patience of the Acting Committee became exhausted, and one of the members advanced to the front of the stage, interrupted Yoga Rama, and, appealing to the audience, said he had no doubt but that he had their support when he asserted that they had come to the theatre not to hear speeches but to witness experiments. Yoga Rama brought his speech abruptly to a close after saying he would now demonstrate the power he had acquired of controlling the functions of his body and of rendering it insensible to pain. To show the control over his body he asked two members of the Committee to stand by his side and to look at their watches and note the length of time he was able to cease from breathing. To show his insensibility to pain he said he would stand barefooted on a board studded with long nails, and also stand on broken glass. I have given an account of the nature of the performance with which Yoga Rama favoured us. I will now proceed to describe the experiments more in detail and to comment upon them. Mr. Marriott was the first person to sit on the chair in front of Yoga Rama. He was told to hold his left hand in front of his face, to trace the first letter of the name thought of on the palm of his left hand with the forefinger of the right, and give the taps or make the movements in the air with his right hand in the manner already described. Mr. Marriott, instead of holding his left hand up, held his right hand. Yoga Rama immediately said, "Not your right hand but your left." This was a suspicious circumstance, as it indicated that Yoga Rama could see notwithstanding he was blindfolded. Now conjurers know that blindfolding in the manner above described is not a precaution against seeing, as at the time of blindfolding what the conjurer does is to shut his eyes tightly and bring his eyebrows well down. When the blindfolding is finished, the conjurer opens his eyes and draws his eyebrows up; the bandages will then be displaced and drawn up from their original position and he will be able to see under the bandages through the spaces between the bridge of his nose and his cheeks. This, in the joint opinion of Mr. Zancig, Mr. Marriott, and myself, is what Yoga Rama did, and our opinion was confirmed when we examined the bandages at the time they were removed from the performer's eyes, as will be described later.