He also took care that the lower edge of the plaster should stick against Yoga Rama's cheeks. On examining the plaster just before it was removed we found that the lower edge no longer stuck against the performer's cheeks. There were hollow spaces between the bridge of his nose and his cheeks through which he could have seen with a downward glance. The point now arises whether he used both his eyes or only one. I noticed that Yoga Rama always kept the right side of his face towards the sitters when trying the experiments. If the reader will look at the engraving, which shows the exact position of the folded pieces of paper at the time of the removal of the plaster from Yoga Rama's face, he will see that the piece of paper which covered his right eye is no longer on the same line of holes as the left piece, but is higher up, and, what is most suspicious, he will note some pieces of tissue paper which were stuck on the plaster by Yoga Rama and were under the pieces of folded paper, which prevented these from adhering to the plaster; thus by an upper movement of the eyebrows Yoga Rama succeeded in raising the folded piece of paper which covered his right eye, and with this eye he glanced under the plaster and watched the movements of the sitter's hands, etc. 2. As I have stated above, Yoga Rama always kept the right side of his head towards the person with whom he was experimenting. He tried one experiment with a gentleman who sat in the second row of the stalls. He then turned his body round so that the right side of his face was in the same position relatively to this gentleman as it had been to the sitters on the stage. Moreover, the lights in the body of the theatre were not alight when Yoga Rama was trying his alleged thought-readings with the members of the Committee on the stage, but when he experimented with the gentleman in the stalls, one of the electric chandeliers in the body of the theatre, not far from the gentleman, was immediately lit, thus enabling Yoga Rama to watch the movements of the gentleman's right hand when tracing the letters of the name he had chosen on the palm of his left hand, and giving the taps corresponding to the number of the letters.