We have already said that the record of discoveries made with really
large instruments is limited; but it should also be remarked that until
quite recently the number of such instruments has been very small.
And not always, perhaps, have the best men had the control of them.
Virtually the observer himself constitutes the most important part of
his telescope: it is useless having a glass of great capacity at one
end of a tube, and a man of small capacity at the other. Two different
observers essentially alter the character of an instrument, according
to their individual skill in utilizing its powers.
Large telescopes are invariably constructed for the special purpose of
discovering unknown orbs and gleaning new facts from the firmament.
But in attempting to carry out this design, obstacles of a grave
nature confront the observer. The comparatively tranquil and sharply
definite images seen in small instruments disappear, and in their
places forms are presented much more brilliant and expansive, it is
true, but involved in glare and subject to constant agitation, which
serve to obliterate most of the details. The observer becomes conscious
that what he has gained in light has been lost in definition. At
times—perhaps on one occasion in fifty—this experience is different;
the atmosphere has apparently assumed a state of quiescence, and
objects are seen in a great telescope with the same clearness of detail
as in smaller ones. It is then the observer fully realizes that his
instrument, though generally ineffective, is not itself in fault, and
that it would do valuable work were the normal condition of the air
suitable to the exercise of its capacity.
Public-domain text, read in full here on John Shaqi.
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