Tempest-Driven: A Romance (Vol. 3 of 3)Dowling, Richard
General
Tempest-Driven: A Romance (Vol. 3 of 3)
Dowling, Richard
Fiction
Next day broke chill and dismal, and none of the folk at Carlingford
House seemed lively except Edith. Mrs. Paulton was depressed because
her only son was going away from home and into a country of which she
had a vague and unfavourable notion. O'Brien was sulky at the thought
of being torn from the side of Madge, now that he might talk freely to
her of love and their prospects, and the brutal Commissioners. Mrs.
Davenport was depressed by a variety of circumstances and
considerations, and Alfred had much to make him anything but cheerful.
Mr. Paulton's seriousness--that was the strongest word which could
fairly be applied to his humour--was due to the dulness of the
weather, and a depreciation in the value of some shares held by him.
During the day each of the travellers was more or less busy with
preparations. Mrs. Davenport had to go to town early in order to
transact business she had neglected the day before. Alfred stayed
mostly in his room, and O'Brien, far from sweet-tempered, managed,
through the unsought contrivance of Edith, to be a whole hour alone
with Madge.
"You know," he said to her, when preliminaries had been disposed of,
"it's a beastly nuisance to have to go away from you now. I'd much
rather stop, I assure you."
"You are very kind."
"Don't be satirical, Madge. No woman ever yet showed to advantage when
satirical. I say it's a great shame to have to go away, particularly
when it's only to save appearances; for now that Blake has once more
come on the scene, all is up with poor Alfred. Upon my word, Madge, I
pity him."
"Do you like her, Jerry?"
"No. I like you. I like you very much. You're not a humbug."
"Is she?"
"No. But she's too awfully serious. I cannot help thinking she ought
to do everything to the slow music of kettledrums."
"Why kettle-drums?"
"I don't know. I suppose it's because the concerted kettle-drum
is the most bald and arid form of harmonious row. I'm afraid my
language is neither select nor expressive. But one can't help one's
feelings--particularly when one's feelings make one like you. I really
am sorry to have to leave you."
"But you mustn't blame me for that."
"Now you are quite unreasonable. You must know that a man without a
grievance is as insipid as a woman without vanity."
"Jerry, I'm not a bit vain; I never was a bit vain. What could I be
vain about?"
"Ungrateful girl! Have I not laid my hand and fortune, including the
bodies of the murdered Commissioners, at your feet?"
"You are silly, Jerry."
"How am I silly? In having laid my hand and fortune and the
bodies----"
"No. In talking such nonsense."
"And you are not vain of having made a conquest of me?"
"Jerry, I'm very fond of you, and I don't like you to talk to me as if
you thought I was only a silly girl whom you were trying to amuse with
any silly things you could think of. I hope you don't believe I'm a
fool?"
Public-domain text, read in full here on John Shaqi.
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