Ten Days in a Mad-House; or, Nellie Bly's Experience on Blackwell's Island.: Feigning Insanity in Order to Reveal Asylum Horrors. The Trying Ordeal of the New York World's Girl Correspondent. — John Shaqi
Ten Days in a Mad-House; or, Nellie Bly's Experience on Blackwell's Island.: Feigning Insanity in Order to Reveal Asylum Horrors. The Trying Ordeal of the New York World's Girl Correspondent.Bly, Nellie
History
Ten Days in a Mad-House; or, Nellie Bly's Experience on Blackwell's Island.: Feigning Insanity in Order to Reveal Asylum Horrors. The Trying Ordeal of the New York World's Girl Correspondent.
Bly, Nellie
Bly, Nellie, 1864-1922; Mentally ill -- Commitment and detention -- New York (State) -- History -- 19th century; N.Y. City Lunatic Asylum; Psychiatric hospital care -- New York (State) -- History -- 19th century; Psychiatric hospitals -- New York (State) -- History -- 19th century; Women -- Mental h
“Five feet five inches; don’t you see?” he said, taking her hand and
touching the figures.
By her voice I knew she did not understand yet, but that was no concern
of mine, as the doctor seemed to find a pleasure in aiding her. Then I
was put on the scales, and she worked around until she got them to
balance.
“How much?” asked the doctor, having resumed his position at the desk.
“I don’t know. You will have to see for yourself,” she replied, calling
him by his Christian name, which I have forgotten. He turned and also
addressing her by her baptismal name, he said:
“You are getting too fresh!” and they both laughed. I then told the
weight—112 pounds—to the nurse, and she in turn told the doctor.
“What time are you going to supper?” he asked, and she told him. He gave
the nurse more attention than he did me, and asked her six questions to
every one of me. Then he wrote my fate in the book before him. I said,
“I am not sick and I do not want to stay here. No one has a right to
shut me up in this manner.” He took no notice of my remarks, and having
completed his writings, as well as his talk with the nurse for the
moment, he said that would do, and with my companions, I went back to
the sitting-room.
“You play the piano?” they asked.
“Oh, yes; ever since I was a child,” I replied.
Then they insisted that I should play, and they seated me on a wooden
chair before an old-fashioned square. I struck a few notes, and the
untuned response sent a grinding chill through me.
“How horrible,” I exclaimed, turning to a nurse, Miss McCarten, who
stood at my side. “I never touched a piano as much out of tune.”
“It’s a pity of you,” she said, spitefully; “we’ll have to get one made
to order for you.”
I began to play the variations of “Home Sweet Home.” The talking ceased
and every patient sat silent, while my cold fingers moved slowly and
stiffly over the keyboard. I finished in an aimless fashion and refused
all requests to play more. Not seeing an available place to sit, I still
occupied the chair in the front of the piano while I “sized up” my
surroundings.
It was a long, bare room, with bare yellow benches encircling it. These
benches, which were perfectly straight, and just as uncomfortable, would
hold five people, although in almost every instance six were crowded on
them. Barred windows, built about five feet from the floor, faced the
two double doors which led into the hall. The bare white walls were
somewhat relieved by three lithographs, one of Fritz Emmet and the
others of negro minstrels. In the center of the room was a large table
covered with a white bed-spread, and around it sat the nurses.
Everything was spotlessly clean and I thought what good workers the
nurses must be to keep such order. In a few days after how I laughed at
my own stupidity to think the nurses would work. When they found I would
not play any more, Miss McCarten came up to me saying, roughly:
“Get away from here,” and closed the piano with a bang.
Public-domain text, read in full here on John Shaqi.
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