England -- Social life and customs -- 20th century -- Fiction; Husband and wife -- Fiction; Siblings -- Fiction
The church stood on the east side of the village square; immediately
beyond it the road turned sharp to the east towards Canterbury, leaving
on its left the ruins of an archi-episcopal palace, and on the west
side of the square the road turned equally sharply to the right towards
Sevenoaks. On the south side of the square--exactly opposite the road
which came down the hill--were the gates of Restham Manor House: heavy
old oak gates, studded with huge iron nails, and set in a fine old wall
of that rose-coloured brick which only the Tudors seemed able to
manufacture. The house inside the walls was of the same brick, with
stone mullioned windows and twisted chimneys, and was considered one of
the most perfectly preserved specimens of Tudor architecture in Kent.
The heavily-studded front door led straight into a great hall: a hall
made beautiful by its carved-oak roof and chimney-piece, and its
black-and-white marble floor, and comfortable by the numerous rugs and
tapestries which my father and I had spent years in collecting. It was
in this hall that Annabel and I chiefly lived and moved and had our
being. Out of it, on the left of the huge fire-place, two steps and a
door led up to the drawing-room--a typical "withdrawing-room" of the
olden times; and on the right of the fire-place another door opened
into a corridor, which in turn led to the dining-room, the library, the
staircase, and finally to the kitchen department. Upstairs the whole
front of the house was taken up by an oak-pannelled picture-gallery,
from the windows of which one learned what a mistake one had made in
imagining that Restham lay at the bottom of the hill; for below it the
ground still sloped away and away, fading at last into the blue
distance of the Weald of Kent.
Such was the spot which I had the happiness to call home, and which
played its part--as I believe all natural surroundings do--in the
formation of my character. Surely it was from the natural beauty
around me from my birth that I derived my appreciation of--nay, rather
my passion for--beauty in all its forms, and from the peculiar
spiritual atmosphere of a place which pilgrim feet had trod for
centuries, and on which pilgrim fingers had traced the Sign of the
Cross, that I imbibed that pervading consciousness of the unseen world
surrounding us, and that unquestioning acceptance of the phenomena
which men call miracles, which have been the most powerful influences
of my life, and which are as strong in me to-day as they were when I
was a child.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account