England -- Social life and customs -- 20th century -- Fiction; Husband and wife -- Fiction; Siblings -- Fiction
Although I would not have admitted it to Annabel for worlds, I could no
longer shut my eyes to the fact that this passion for everything
connected with the stage was gradually coming between my wife and
myself: and--now that Annabel had told me of Fay's former ambition to
take up acting as a profession--I was haunted by a horrible suspicion
that my wife had returned to her first love, and now wished that she
had chosen the stage instead of me.
Of course, when Annabel talked of Fay's passion for the stage becoming
a menace to our conjugal happiness, she confined that menace to the
admiration and excitement which are an inevitable accompaniment of a
theatrical career. She never saw the subtler and, to my mind, the more
real danger of the love of art for art's sake, which exists in the
breast of the true artist. It would never have occurred to my sister
to imagine the possibility of any woman's caring more for her art than
she cared for her husband: such things did not occur in the Victorian
days wherein Annabel was brought up. In those dark ages it not
infrequently happened that a man thought more about his profession or
his business than he did about his wife: but that was humbly accepted
as a matter of course by the meek helpmeet of those simpler times.
"She could not understand, she loved," was the typical attitude of the
wives of those days: and the possibility of the masculine mind failing
to understand anything was a thing undreamed of in mid-Victorian
philosophy.
But the things that satisfied our grandmothers will not satisfy our
wives; and the sooner we remnants of a bygone century learn that fact,
the better for all concerned: I am not saying that this awakening of
the Sleeping Beauty is either a good thing or a bad thing: I do not
feel competent to lay down the law on such a big question: I only say
that now she is awake, it is absurd to treat her as if she were still
asleep. My own personal opinion is that the awakening of the sex as a
whole makes for the improvement of Woman's character, but militates
against her happiness, though I cherish a larger hope that it will
finally conduce to her higher and truer happiness in the future.
Still, even if it doesn't ever conduce to her happiness, the thing is
there and has to be reckoned with. Childhood is the happiest part of
life; but that is no excuse for arrested development. Woman at last
has grown up, and has to be treated as a grown-up person and no longer
as a child. At least that is how I look at the matter: but I really
know so little about it that my opinion is neither here nor there.
What I do know is that women nowadays have their interests and their
professions the same as men have, and therefore it is just as likely
for a woman to set art before her husband as it is for a man to set
science before his wife--and, in my opinion, much more dangerous, as a
man has by nature a far stronger sense of proportion than a woman has.
Public-domain text, read in full here on John Shaqi.
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