England -- Social life and customs -- 20th century -- Fiction; Husband and wife -- Fiction; Siblings -- Fiction
She was one of those rare people--and most especially rare women--who
could put herself in another person's place: and though at one time she
had wanted Paul Seaton dreadfully--wanted him more than anything in the
world--she was still capable of knowing that at another time I might
not want him at all. And she acted upon this knowledge.
She arrived just in time for luncheon, and of course we could talk of
only surface matters as long as the servants were coming in and out of
the room. But it was a comfort to hear her talk, even of only surface
matters, and to feel her feminine presence in the house.
Of course Annabel often came over to see me, and to have what she
called her eye upon my establishment: in fact, she seemed to keep one
eye always at Restham, as some men always keep a change of clothes at
their Club; but Annabel's was never a "feminine presence," in the sense
that Isabel's and Fay's were. Even the cult of the "Ladies' Needlework
Guild," ultra-feminine though the name of the fetish sounds, had never
taken away the true gentlemanliness from Annabel. I now always called
my sister and her husband "the Dean and the Sub-Dean." They thought
that by the "Sub-Dean" I meant Annabel. But I did not.
When lunch was over and we were having coffee in the great hall, Isabel
settled herself comfortably on the big Chesterfield by the fire.
Unlike most women, she could sit for hours with unoccupied hands.
Though her tongue was never idle, her hands often were. To me there
had always been something fatiguing in the ceaseless travail of
Annabel's fingers. I don't remember ever seeing them at rest, except
on a Sunday; and even then they were not unoccupied: they always held
some book or other containing sound Evangelical doctrine. But just now
Isabel's hands held nothing: and the sight somehow rested me.
"Please begin to smoke at once, Reggie," she said: "I shan't enjoy
myself a bit if you don't. I shall get exhausted like people do in
Egypt, and places like that, when there is no atmosphere, don't you
know?--nothing but black Pyramids and bright yellow sand, till
everybody thirsts for a real London fog."
"Won't you?" I asked.
She shook her head where the once dark hair was beginning to turn grey.
"No. I'm not really modern, you know: I've advanced as far as
motor-cars and the economic position of women and central heating, but
I draw the line at smoking and going in flying machines and wearing
pyjamas. I'm really almost grandmotherly in some things."
I demurred.
Public-domain text, read in full here on John Shaqi.
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