To seek the sunlight, as you suggest, to bask like a
lizard at Cannes or at Menton, one more bond must go, and there would
not be enough to last to the end, if I should wait for seven or eight
years more, now that I can no longer write. Happily, there is nothing to
fear. But what I have suffered since I have been incapable of writing,
and have felt my hoard of gold shrink and diminish in my hand like the
Magic Skin of Balzac, is frightful. Now you understand me, do you not?
and you will no longer bid me take care of myself. No; if you still pray
to God, ask him to send me speedily to the undertaker's."
* * * * *
Fifteen days later some thirty of us followed the hearse which carried
Louis Miraz to the Cemetery Montmartre. It had snowed the day before,
and Doctor Arnould, the old frequenter of painters' studios, the friend
and physician of the dead man, walking behind me, called in his brusque
voice,
"Very commonplace, but always terrible the contrast: a burial in the
snow--black on white. The Funeral of the Poor, by the late Vigneron,
isn't to be ridiculed. Brr!"
At last we came to the edge of the grave. The place and the time were
sad. Under a cloudy sky the little yew-trees, swayed by the wind, threw
down their burdens of melted snow. The by-standers had formed a circle,
and were watching the grave-diggers, who were lowering the coffin by
cords. Near a cross-bearer, whose short surplice permitted the bottom of
his trousers to be seen, the priest waited with a finger in his book;
and, having grasped the rim of his hat under his left arm, the orator of
the Society of Men of Letters already held in his black-gloved hand the
funeral oration, hastily patched up by the aid of a comrade over a
couple of glasses at the corner of a cafe table.
Suddenly, as the priest began his Latin prayers, Doctor Arnould seized
me by the arm and whispered in my ear,
"You know that he killed himself?"
I looked at him with astonishment. But he pointed to the group in black,
composed of Madame Miraz and her daughter, who were sobbing under their
long veils and clasping each other in a tragic embrace, and he added,
"For them. Yes, for six months he threw all his medicines in the fire,
and designedly committed all sorts of imprudences. He confessed it to me
before his death. I had not understood it at all--I, who had expected to
prolong his life at least three years by creosote. At last the other
night, when it was freezing cold, he left his window open, as if by
forgetfulness, and was taken with bleeding at the lungs. Yes, that he
might leave bread for those two women. The cure does not dream that he
is blessing a suicide. But what of it, my good fellow? Miraz is in the
paradise of the brave. The details of such a death. Eh? It is tougher
than the passage of the Bridge of Arcole."
[Illustration]
A DRAMATIC FUNERAL.
[Illustration: A DRAMATIC FUNERAL]
Public-domain text, read in full here on John Shaqi.
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