of muscular contraction--examined with something like the air of a
connoisseur--occasionally rapping with his agate-headed cane--now
against his teeth, then against his legs. He did not seem perfectly
satisfied with any of them; they looked--he said--"devilish plain and
dull."
"Hollo--Mr. Axletree, or whatever your name is--what have we _here_?
'Pon my soul, the very thing!"--he exclaimed, as his eye caught a
splendid object--the state-carriage of the ex-sheriff, with its
gorgeously decorated panels: which, having been vamped up for some six
or seven successive shrievalties--(being on each occasion heralded to
the public by laudatory paragraphs in the newspapers, as entirely new
and signal instances of the taste and magnificence of the
sheriff-elect)--seemed now _perfunctus officio_. Mr. Axle was staggered
for a moment, and scarce supposed Mr. Titmouse to be in earnest--Gammon
having given him no inkling of the real character of Titmouse; but
observing the earnest steadfast gaze with which he regarded the
glittering object, having succeeded in choking down a sudden fit of
laughter, Mr. Axle commenced a most seductive eulogium upon the splendid
structure--remarking on the singularity of the circumstance of its
happening just at that exact moment to be placed at his disposal by its
former owner--a gentleman of great distinction, who had no longer any
occasion for it. Mr. Axle declared that he had had numerous applications
for it already; on hearing which, Titmouse got excited. The door was
opened--he got in; sat on each seat--"Don't it hang beautifully?"
inquired the confident proprietor, testing, by pressure, the elasticity
of the springs, as he spoke.
"Let me see, who was it that was after it yesterday? Oh--I think it was
Sir Fitzbiscuit Gander; but I've not _closed_ with him yet!"
"What's your price, Mr. Axletree?" inquired Titmouse, rather heatedly,
as he got out of the carriage.
Public-domain text, read in full here on John Shaqi.
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