Ten Years in Washington: or, Inside Life and Scenes in Our National Capital as a Woman Sees Them ... to Which Is Added a Full Account of the Life and Death of President James A. GarfieldClemmer, Mary
History
Ten Years in Washington: or, Inside Life and Scenes in Our National Capital as a Woman Sees Them ... to Which Is Added a Full Account of the Life and Death of President James A. Garfield
Clemmer, Mary
Washington (D.C.) -- Description and travel; Washington (D.C.) -- History
Look closely at the United States notes, the fractional currency bonds,
and the most valuable revenue stamps, and you will see many lines
involved and intricate, running to and fro in the most marvellous
manner. These lines defy imitation. They are the best tantalizer and
detective of the most accurate counterfeiter. The most absolute
imitation, made by hand, can be instantly perceived under a glass. These
involuting lines are the work of the geometric lathe, an instrument
whose complicated wheels can be set to work out any combination of
curved lines which the human mind can possibly conceive. The
counterfeiter, with the same lathe, would be powerless to produce the
same complications—“he would grow gray in endless and useless
experiments, and even with a record of the combination, he could not so
exactly re-produce it, that an expert could not detect the imposition.”
The geometric lathe of the Treasury of the United States, is worked by
Mr. Tichenor, who has been a skilled artist in such machinery for more
than thirty years. There are no more interesting objects in the
Treasury, than the line of clear-eyed men who sit bent over their tasks,
their subtle lines tracing the exquisite vignettes which have made the
engravings of the United States Treasury so famous. Here is one who has
been tracing these lines of beauty for more than forty years: his hair
is white, but his keen, strong sight—drawing harmony, poetry, nature,
and life, out of barest outline—remains undimmed.
CHAPTER XXXI.
THE WORKERS IN THE TREASURY—HOW THE MONEY IS MADE.
Public-domain text, read in full here on John Shaqi.
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