Ten Years in Washington: or, Inside Life and Scenes in Our National Capital as a Woman Sees Them ... to Which Is Added a Full Account of the Life and Death of President James A. GarfieldClemmer, Mary
History
Ten Years in Washington: or, Inside Life and Scenes in Our National Capital as a Woman Sees Them ... to Which Is Added a Full Account of the Life and Death of President James A. Garfield
Clemmer, Mary
Washington (D.C.) -- Description and travel; Washington (D.C.) -- History
The last line of printing is received in the red number set at top and
bottom; all that remains for the dollar, before starting on its journey
into the wide, wide world, is to be divided from its brethren, that it
may start alone. Thus the United States note sheet is carried into the
separating and trimming room. This used to be done by scissors, and gave
to women, I believe, their first work in the Treasury. This room is one
of the largest and busiest in the Bureau, and second only to the
printing-room in interest. The wheels, straps and pulleys reaching to
the ceiling, with which its air is perforated, give it, at first glance,
a complicated atmosphere, till the eyes rest upon the many ladies
sitting serenely at work below.
[Illustration: AMONG THE GREENBACKS.—THE CUTTING AND SEPARATING ROOM IN
THE TREASURY BUILDING.—WASHINGTON]
This work being all clean, and some of it dainty in its character, the
result is visible in the tasteful attire of the workers, whose snowy
aprons and delicate ribbons are in direct contrast to the worn and
soiled raiment of the weary sisterhood of the tubs, and the inky presses
of the wetting and printing divisions. Part of the woman’s work of this
room is to needle the sheets, which must be done so accurately, that
when hundreds together are laid in the cutting machine, the glittering
blade will strike through a single line, not wavering a hair’s width
through two hundred sheets. The room is thronged with those little
guillotines, whose gleaming blades are in constant execution. Each
Treasury note sheet which passes under them is cut into four notes at
once, each sliding down, correctly sorted, into its own little box
waiting below. Excepting the fractional currency cutters, all these
exquisite machines are worked by ladies, who manipulate them with
unerring accuracy.
In this Bureau but one more thing remains for our dollar, that it should
be laid “in its little bed,” before it goes down to the Treasurer. This
is speedily done, and its bed is a very dainty affair,—a pretty box,
made in an adjoining room by pretty hands; and pretty hands lay our
dollar away; indeed dollar on dollar, so many in a box, which shuts them
in—fair, tempting, tantalizing—out of sight, to await the call of the
Treasurer and the mandate of Uncle Samuel.
Public-domain text, read in full here on John Shaqi.
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