Ten Years in Washington: or, Inside Life and Scenes in Our National Capital as a Woman Sees Them ... to Which Is Added a Full Account of the Life and Death of President James A. GarfieldClemmer, Mary
History
Ten Years in Washington: or, Inside Life and Scenes in Our National Capital as a Woman Sees Them ... to Which Is Added a Full Account of the Life and Death of President James A. Garfield
Clemmer, Mary
Washington (D.C.) -- Description and travel; Washington (D.C.) -- History
The fifteen squares colored yellow are proposed to be divided among
the several States of the Union, for each of them to improve, or
subscribe a sum additional to the value of the land for that purpose,
and the improvements around the squares to be completed in a limited
time. The centre of each square will admit of statues, columns,
obelisks, or any other ornaments, such as the different States may
choose to erect, to perpetuate not only the memory of such individuals
whose councils or military achievements were conspicuous in giving
liberty and independence to this country, but those whose usefulness
hath rendered them worthy of imitation, to invite the youth of
succeeding generations to tread in the paths of those sages or heroes
whom their country have thought proper to celebrate.
The situation of those squares is such that they are most
advantageously seen from each other, and as equally distributed over
the whole city district, and connected by spacious avenues round the
grand federal improvements and as contiguous to them, and at the same
time as equally distant from each other as circumstances would admit.
The settlements round these squares must soon become connected. The
mode of taking possession of and improving the whole district at first
must leave to posterity a grand idea of the patriotic interest which
promoted it.
Two months after the publication of those magnificent designs for
posterity, Major L’Enfant was dismissed from his exalted place. He was a
Frenchman and a genius. The patrons of the new Capital were _not_
geniuses, and not Frenchmen, reasons sufficient why they should not and
did not “get on” long in peace together. Without doubt the Commissioners
were provincial, and limited in their ideas of art and of expenditure;
with their colonial experience they could scarcely be otherwise; while
L’Enfant was metropolitan, splendid, and willful, in his ways as well as
in his designs. Hampered, held back, he yet “builded better than he
knew,” builded for posterity. The executor and the designer seldom
counterpart each other. L’Enfant worried Washington, as a letter from
the latter, written in the autumn of 1791, plainly shows. He says: “It
is much to be regretted that men who possess talents which fit them for
peculiar purposes should almost invariably be under the influence of an
untoward disposition.... I have thought that for such employment as he
is now engaged in for prosecuting public works and carrying them into
effect, Major L’Enfant was better qualified than any one who has come
within my knowledge in this country, or indeed in any other. I had no
doubt at the same time that this was the light in which he considered
himself.” At least, L’Enfant was so fond of his new “plan” that he would
not give it up to the Commissioners to be used as an inducement for
buying city lots, even at the command of the President, giving as a
Public-domain text, read in full here on John Shaqi.
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