It has been my duty, in reviewing this _Memoir_, to pass under some kind of critical survey the more important writings of Lord Tennyson, in particular relation to the narrative of his life, and to the formation of his views and opinions. I am, however, placed in some embarrassment by the fact that this work is for the most part done already in the volumes themselves. They contain ample quotations from letters and articles by very eminent hands, written with all the vigour of immediate impressions when the poems first appeared. And some of the reminiscences that have since been contributed to the biography by personal friends deal so thoroughly with its literary side as to fall little short of elaborate essays; so that on the whole not much is left to be said by the retrospective reviewer. We are met with this difficulty in taking up the chapters on the Historical Plays, which set before us, with an analysis of the plays by the biographer himself, a catena of judgments upon them, unanimously favourable, by the highest authorities. Robert Browning writes with generous enthusiasm of "Queen Mary." Froude, the most dramatic of historians, expresses unbounded admiration: "You have reclaimed one more section of English history from the wilderness, and given it a form in which it will be fixed for ever. No one since Shakespeare has done that." Gladstone, Mr. Aubrey de Vere, Longfellow, G. H. Lewes and his wife, the statesmen, the poets, and the men of letters, each from his own standpoint attests the merits of one or another play, in letters of indisputable strength and sincerity. Nor can it be doubted that these pieces contain splendid passages, and fine engravings, so to speak, of historical personages, with a noble appreciation of the spacious Elizabethan period, and of the earlier romantic episodes. The dramatic art provides such a powerful instrument for striking deep into the national mind, and success in this form of high poetic execution is so lasting--while it is so rare--that almost every great English poet has written plays. On the other hand, few of them have ventured, like Tennyson, to face the capricious ordeal of the public theatre, where the _vox populi_ is at least so far divine that it pronounces absolutely and often incomprehensibly.