Arthur left Cambridge on taking his degree in January 1832. He resided from that time with the Editor in London, having been entered on the boards of the Inner Temple. It was greatly the desire of the Editor that he should engage himself in the study of the law; not merely with professional views, but as a useful discipline for a mind too much occupied with habits of thought, which, ennobling and important as they were, could not but separate him from the everyday business of life, and might, by their excess, in his susceptible temperament, be productive of considerable mischief. He had, during the previous long vacation, read with the Editor the _Institutes_ of Justinian, and the two works of Heineccius which illustrate them; and he now went through Blackstone's _Commentaries_, with as much of other law-books as, in the Editor's judgment, was required for a similar purpose. It was satisfactory at that time to perceive that, far from showing any of that distaste to legal studies which might have been anticipated from some parts of his intellectual character, he entered upon them not only with great acuteness, but considerable interest. In the month of October 1832, he began to see the practical application of legal knowledge in the office of an eminent conveyancer, Mr. Walters of Lincoln's Inn Fields, with whom he continued till his departure from England in the following summer. It was not, however, to be expected, or even desired by any one who knew how to value him, that he should at once abandon those habits of study which had fertilized and invigorated his mind. But he now, from some change or other in his course of thinking, ceased in a great measure to write poetry, and expressed to more than one friend an intention to give it up. The instances after his leaving Cambridge were few. The dramatic scene between Raffaelle and Fiammetta was written in 1832; and about the same time he had a design to translate the _Vita Nuova_ of his favourite Dante; a work which he justly prized, as the development of that immense genius, in a kind of autobiography, which best prepares us for a real insight into the _Divine Comedy_. He rendered accordingly into verse most of the sonnets which the _Vita Nuova_ contains; but the Editor does not believe that he made any progress in the prose translation. These sonnets appearing rather too literal, and consequently harsh, it has not been thought worth while to print.