London (England) -- Social life and customs -- 20th century -- Fiction; Man-woman relationships -- Fiction
Still, Archie was, so far, her greatest interest. He was a particularly
pretty boy, and she was justified in thinking him rather unusual. At
this period he spent a considerable amount of his leisure time not only
in longing to see real animals, but in inventing and drawing pictures
of non-existent ones--horrible creatures, or quaint creatures, for
which he found the strangest names. He told Dilly about them, but Dilly
was not his audience--she was rather his confidante and literary
adviser; or even sometimes his collaborator. His public consisted
principally of his mother. It was a convention that Edith should be
frightened, shocked and horrified at the creatures of his imagination,
while Dilly privately revelled in their success. Miss Townsend, the
governess, was rather coldly ignored in this matter. She had a way of
speaking of the animals with a smile, as a nice occupation to keep the
children quiet. She did not understand.
'Please, Madam, would you kindly go into the nursery; Master Archie
wishes you to come and hear about the golden--something he's just made
up like,' said Dilly's nurse with an expression of resignation.
Edith jumped up at once.
'Oh dear! Tell Master Archie I'm coming.'
She ran into the nursery and found Archie and Dilly both looking rather
excited; Archie, fairly self-controlled, with a paper in his hand on
which was a rough sketch which he would not let her see, and hid behind
him.
'Mother,' Archie began in a low, solemn voice, rather slowly, 'the
golden quoribus is the most horrible animal, the most awful-looking
animal, you ever heard of in _your_ life!'
'Oh-h-h! How awful!' said Edith, beginning to shiver. 'Wait a
moment--let me sit down quietly and hear about it.'
She sat down by the fire and clasped her hands, looking at him with a
terrified expression which was part of the ritual.
Dilly giggled, and put her thumb in her mouth, watching the effect with
widely opened eyes.
'Much more awful than the gazeka, of course, I suppose?' Edith said
rather rashly.
'Much,' said Dilly.
'(Be quiet, Dilly!) Mother!' he was reproachful, 'what do you mean? The
gazeka? Why--the gazeka's nothing at all--it's a rotten little animal.
It doesn't count. Besides, it isn't real--it never was real. Gazeka,
indeed!'
'Oh, I beg your pardon,' said Edith repentantly; 'do go on.'
'No... the golden quoribus is far-ar-r-r-r more frightening even than
the jilbery. Do you remember how awful _that_ was? And much larger.'
'What! Worse than the jilbery! Oh, good gracious! How dreadful! What's
it like?'
'First of all--it's as long as from here to Brighton,' said Archie.
'A little longer,' said Dilly.
'(Shut up, miss!) As long. It's called the golden quoribus because it's
bright gold, except the bumps; and the bumps are green.'
'Bright green,' said Dilly.
'(Oh, will you hold your tongue, Dilly?) Green.'
'How terrible!... And what shape is it?'
'All pointed and sharp, and three-cornered.'
'Does it breathe fire?' asked Edith.
Public-domain text, read in full here on John Shaqi.
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