Terence's Andrian, a comedy, in five acts : $b Translated into English prose, with critical and explanatory notes.Terence
General
Terence's Andrian, a comedy, in five acts : $b Translated into English prose, with critical and explanatory notes.
Terence
Latin drama (Comedy) -- Translations into English; Terence -- Translations into English
Numerous ceremonies were always performed at Grecian marriages, many
of which were performed at the house of the bride, and in procession
from it: it is exceedingly well managed by Terence, that Davus should
discover Simo’s stratagem, by finding Chremes’ house “quite still
and quiet,” because the house of a bride was generally full of noisy
company. The following extracts from a learned writer on antiquities
will afford some valuable information respecting the Greek marriages.
“The Athenian virgins were presented to Diana before it was lawful
for them to marry. This ceremony, which was performed at Brauron, an
Athenian borough, was called ἀρκτεία. There was also another custom for
virgins, when they became marriageable, to present certain baskets,
full of little curiosities, to Diana, to obtain permission to leave
her train, and to change their state of life. Indeed we find Diana
concerned in the preparatory solemnities before all marriages; for a
married state being her aversion, it was thought necessary for all who
entered upon it, to ask her pardon for dissenting from her. The ancient
Athenians paid the same honour to Heaven and Earth, which were believed
to have a particular concern in marriages, of which they were thought
a proper emblem. (_Procl. in Timæ. Platon. Comment. 5._) The fates and
graces being supposed to join, and afterwards to preserve the tie of
love, were partakers of the same respect. (_Pol. lib._ III. _cap._ 3.)
Before the marriage could be solemnized, the other gods were consulted,
and their assistance also implored by prayers and sacrifices. When the
victim was opened, the gall was taken out and thrown behind the altar,
as being the seat of anger and revenge, and therefore the aversion of
all the deities who superintended the affairs of love. The married
persons, with their attendants, were richly adorned, according to
their rank. The house, in which the nuptials were celebrated, was also
decorated with garlands. (_Hierocl. in Frag._ περὶ γάμον; _Stob. Serm.
186_, _Senec. Thebaid. v. 507_;) a pestle was tied upon the door,
(_Poll. lib._ III. _cap._ 3. _seg._ 37;) and a maid carried a sieve, (_Id.
ibid._) the bride herself bearing φρύγετον, φρύγετρον, or φρύγητρον,
which was an earthen vessel, in which barley was parched, (_Poll. lib._
I. _cap._ 12. _seg._ 246; _Hesych._) and which was intended to signify her
obligation to attend to the business of a family. The bride was usually
conducted in a chariot from her father’s to her husband’s house in
the evening. She was placed in the middle, her husband sitting on one
side, and, on the other, one of his most intimate friends, who was
called πάροχος. They were sometimes accompanied by bands of musicians
and dancers, (_Hom. Il._ σʹ. _v. 491._) The song with which they were
entertained on the road was called ἁρμάτειον μέλος, from ἅρμα, the
coach in which they rode, and the axle-tree of which they burned as
soon as they arrived at the end of their journey; thereby signifying
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