Terence's Andrian, a comedy, in five acts : $b Translated into English prose, with critical and explanatory notes.Terence
General
Terence's Andrian, a comedy, in five acts : $b Translated into English prose, with critical and explanatory notes.
Terence
Latin drama (Comedy) -- Translations into English; Terence -- Translations into English
Davus’s first design was (we are to suppose) to go to Simo as soon as
Mysis had placed the child at the door, and acquaint him that Glycera
had sent him Pamphilus’s child. This would have compelled Simo to
suspend the marriage until he had ascertained the real nature of
Glycera’s claims on his son. Though Davus’s speech is not usually read
aside, we cannot suppose that Mysis heard him say, that Chremes, the
bride’s father, approached, because, in the ninth scene of the same
act, (_vide_ p. 78, l. preantepen,) he tells her, “that was the bride’s
father,” and she replies, “you should have given me notice then.”
NOTE 175.
_Mysis. (aside to Davus.)――Are you mad to ask me such a question?_
_Davus.――Whom should I ask? I can see no one else here._
This certainly seems a little over-acted on the part of Davus,
considering that he knew Chremes to be so very near him. If we conclude
that Davus acted his part with the proper gestures, and accompanied the
above words with the very natural action of looking round him, to see
if any other person was visible near Simo’s door; it appears extremely
improbable that he should not have seen Chremes, who was near enough to
hear all that passed between Davus and Mysis. Davus intended that what
passed between Mysis and himself should be overheard by Chremes, whom
he knew to be but a very few yards distant. It seems extraordinary,
therefore, that Davus should make use of an expression which compelled
him to run the risk of being obliged to recognise Chremes if he looked
round, and, if he did not, of raising a suspicion in his mind, that
Davus knew him to be there: either circumstance must effectually have
spoiled the stratagem, to deter Chremes from the match. To solve this
apparent inconsistency, we must suppose that Chremes, wishing, for
obvious reasons, to overhear what passed between Mysis and Davus,
had, at the entrance of the latter, withdrawn himself behind a row of
pillars, or into a portico, or cloister, (which were common in the
streets of Athens, and were also built upon the Roman stage,) lest his
presence, which Mysis knew of, as he had questioned her, should be a
check upon their conversation; from which he, of course, expected to
learn the truth respecting the child at Simo’s door, as he knew that
Mysis was the servant of Glycera, and Davus the servant of Pamphilus.
NOTE 176.
_Mysis.――The deuce take you, fellow, for terrifying
me in this manner._
Dii te _eradicent_, ita me miseram territas.
Literally, May the gods root you up. An ingenious French critic informs
us, that the Romans borrowed this expression from the Greeks, who say,
“_to destroy a man to the very root_:” and, that the Greeks borrowed it
from the eastern nations. We have a similar expression in English, _to
destroy root and branch_.
NOTE 177.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account