Menander was born at Athens, 345 B. C., and educated with great care by Theophrastus the peripatetic, whose labours must have been amply repaid, when he witnessed the proficiency of his pupil, who distinguished himself by successful dramatic compositions before he had attained his 21st year. With the exception of a few fragments, his works are entirely lost. Comedy was invented at Athens, and divided into three kinds; _the old_, _the middle_, and _the new_. The old comedy was that in which both the names and the circumstances were real; the middle, was where the circumstances were true, but the names disguised. To these two kinds, Menander had the glory of adding a third, which was called the new comedy, where both the plot and the characters were wholly fictitious. His style is said to have been elegant, and his ideas and sentiments refined. Dion Chrysostom considers his writings to be an excellent model for orators. This great poet wrote from 100 to 108 plays; from which Terence took four of his, viz., his Andrian, Eunuch, Self-tormentor, and Brothers. Menander obtained a poetical prize, eight several times; his chief competitor was called Philemon. NOTE 34. _Leucadia._ Leucadia, or as it is now called Santa Maura, or Lefcathia, is an island about 50 miles in circumference, in that part of the Mediterranean which was known among the ancients by the name of the Ionian sea. This island was rendered famous by one of its promontories called Leucas, and Leucate, which overhangs the sea at a very considerable perpendicular height: a leap from this promontory into the water beneath, was reckoned among the Greeks as an infallible cure for unhappy lovers of either sex, and most of those who made the experiment, found their love, and all the rest of their cares effectually terminated by this wise step. The famous poetess Sappho perished in this leap. _Vide The Spectator, Nos. 223, 227, 233._ NOTE 35. _The consulate of Cneus Cornelius Dolabella, and Marcus Fulvius Nobilior._ This was in the year of Rome 594, and about 7 years after the appearance of our author’s first play. As his last production, The Brothers had been published but one year before this period; this circumstance alone, is sufficient to decide the degree of credit which ought to be accorded to the absurd report of Terence having translated 108 plays from Menander. NOTE 36. _A Roman Knight._