Terence's Andrian, a comedy, in five acts : $b Translated into English prose, with critical and explanatory notes.Terence
General
Terence's Andrian, a comedy, in five acts : $b Translated into English prose, with critical and explanatory notes.
Terence
Latin drama (Comedy) -- Translations into English; Terence -- Translations into English
The Romans were divided into three classes. 1. _The Patricians_, or
nobility. 2. _The Equites_, or knights. 3. _The Plebeians_, or the
commons: that is, all who were not included in the two first ranks. The
Equites, or knights, were in fact the Roman cavalry, as they usually
had no other: though all of them were men of fortune; it being required
by law (at least under the Emperors, if not before) that each Eques
at his enrolment should possess 400 sestertia: a sum equal to between
3,000_l._ and 4,000_l._ sterling: a person worth double that sum might
be chosen senator. Each knight was provided with a horse, and a gold
ring, at the public expense; and at a general review, which took place
every five years, the Censor was empowered ignominiously to deprive of
his horse, and degrade from his rank, any knight who by disgraceful
conduct had proved himself unworthy of his dignity.
NOTE 37.
_A garden of XX jugera._
The jugerum, or Roman acre, contained 28,800 feet; consequently,
Terence’s estate must have been equal to rather more than 13 English
acres: and (_as a garden_) must have been of considerable value: land
in Italy, especially in the vicinity of the capital, bearing a high
price; though not so high as in the reign of Trajan, who passed a law
that every candidate for an office should hold a third part of his
property in land. The Romans were particularly partial to gardens; to
improve and beautify them, they bestowed great care, and expended large
sums of money; some of these gardens were of vast extent, and most
magnificently embellished with statues, paintings, aqueducts, &c., as
were those of Cæsar and Sallust.
NOTE 38.
_The Villa Martis._
Public-domain text, read in full here on John Shaqi.
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