Terence's Andrian, a comedy, in five acts : $b Translated into English prose, with critical and explanatory notes.Terence
General
Terence's Andrian, a comedy, in five acts : $b Translated into English prose, with critical and explanatory notes.
Terence
Latin drama (Comedy) -- Translations into English; Terence -- Translations into English
The verb _immutare_ in other Latin authors, and even in other parts
of Terence himself, signifies _to change_; as in the Phormio, Antipho
says, _Non possum_ immutarier. I cannot _be changed_. But here, the
sense absolutely requires that _immutatum_ should be rendered _not
changed_. Madame Dacier endeavours to reconcile this, according to
a conjecture of her father’s, by shewing that _immutatum_ stands
for _immutabilis_, as _immotus_ for _immobilis_, _invictus_ for
_invincibilis_, &c. But these examples do not remove the difficulty;
since those participles always bear a negative sense, which _immutatus_
does not: and thence arises all the difficulty. Terence certainly uses
the verb _immutare_ both negatively and positively, as is plain from
this passage, and the above passage in the Phormio: and I dare say,
with strict propriety. In our own language, we have instances of the
same word bearing two senses, directly opposite to each other. The
word _let_, for instance, is used in the contradictory meanings of
_permission_ and _prohibition_. The modern acceptation of the word is
indeed almost entirely confined to the first sense; though we say, even
at this day, _without let or molestation_. Shakspeare, in Hamlet, says,
‘I’ll make a ghost of him that _lets_ me;’
“That is, _stops_, _prevents_, _hinders_ me, which is directly opposite
to the modern use of the word.”――COLMAN.
“_Immutare_ always signifies to _change_, _immutatus_ therefore cannot
mean _unchanged_: we see, moreover, that Pamphilus has been all along
in love with Glycera, and that he never for a moment entertained the
slightest idea of forsaking her. This passage was very difficult;
but my father has made it easy, by shewing that _immutatus_ is put
for _immutabilis_, and that composed adjectives, which are derived
from passive participles, do not always express what is _done_,
but sometimes what _may be done_; that is to say, they become
potentials. For example, _immotus_ for _immobilis_, _infectus_ for
_what cannot be done_, _invictus_ for _invincibilis_, _invisus_ for
_invisibilis_, _indomitus_ for _indomabilis_, thus _immutatus_ is for
_immutabilis_.”――MADAME DACIER.
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