Teresa of Watling Street: A Fantasia on Modern Themes — John Shaqi
Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
General
Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
Raphael Craig walked towards the house. In three minutes, the cars
being safely housed in a shed which formed part of some farm buildings,
Richard and Teresa joined him in the spacious hall of the abode. Supper
was served in the hall, because, as Teresa said, the hall was the
coolest place in the house. Except an oldish, stout woman, who went up
the stairs while they were at supper, Richard saw no sign of a domestic
servant. Before the meal, which consisted of cold fowl, a pasty, and
some more than tolerable claret, was finished, Raphael Craig excused
himself, said ‘Good-night’ abruptly, and retired into one of the rooms
on the ground-floor. Richard and Teresa were then left alone. Not a
word further had been exchanged between father and daughter as to the
daughter’s adventures on the road. So far as the old man’s attitude
implied anything at all, it implied that Teresa’s regular custom was to
return home at one in the morning after adventures with motor-cars and
elephants. Richard thought this lack of curiosity on the part of the
old man remarkably curious, especially as Raphael and his daughter were
obviously very much attached to each other.
‘The circus was amusing this afternoon,’ Richard remarked.
The talk had flagged.
‘Where was it?’ Teresa asked.
‘At Dunstable,’ said Richard.
‘Really!’ she said, ‘I had not heard!’
This calm and nonchalant lie astounded
Richard. She was a beautiful girl--vivacious, fresh, charming. She could
not have long passed her twentieth year, and her face seemed made of
innocence and lilies. Yet she lied like a veteran deceiver. It was
amusing. Richard removed his spectacles, wiped them, and replaced them.
‘Yes,’ he continued, ‘I went to the afternoon performance. The clowns
were excellent, and there was a lady rider, named Juana, who was the
most perfect horsewoman I have ever seen.’
Not a muscle of that virginal face twitched.
‘Indeed!’ said Teresa.
‘I thought, perhaps, you had been with friends to the evening
performance,’ Richard said.
‘Oh no!’ Teresa answered. ‘I had had a much longer journey. Of course,
as I overtook those absurd elephants in the cutting, I knew that there
must be a circus somewhere in the neighbourhood.’
Then there was another lull in the conversation.
‘More wine, Mr. Redgrave?’ Teresa invited him.
He thanked her and took another glass, and between the sips said:
‘I am told this is a great chalk district--there are large chalk-pits,
are there not?’
‘Yes,’ she said, ‘you can see them from our windows. Very ugly they
look, too!’
‘So far, good!’ Richard privately reflected.
He had, at any rate, learnt that the Craigs had something to conceal.
The hall clock struck three. Outside it was broad daylight.
‘That is a quarter of an hour fast,’ said Teresa. ‘But perhaps it might
be as well to go to bed. You are probably not used to these hours, Mr.
Redgrave? I am. Micky! Micky!’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account