Teresa of Watling Street: A Fantasia on Modern Themes — John Shaqi
Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
General
Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
Micky sighed and departed. As soon as he was gone Richard rose out of
bed, pulled the curtains aside, and made a minute examination of the
room. But he could discover nothing whatever beyond the customary
appurtenances of an ordinary middle-class bedchamber. There was a chest
of drawers, of which every drawer was locked. He tried to push the chest
away from the wall in order to look behind it, but the thing was so
heavy that he could not even move it. He returned to bed. At the same
time his ear caught the regular chink of coins, such a sound as might
be made by a man monotonously counting money. It continued without
interruption. At first Richard imagined it to proceed from under the
bed, but he knew that this was impossible. Then he thought it came
from the room to the left, then from the room to the right.
Chink--chink--chink; the periodic noise had no cessation.
‘What coins can they be?’ Richard asked himself; and decided that such a
full, rich chink could only be made by half-crowns or crowns.
He endeavoured to sleep, but in vain; for the sound continued with an
exasperating regularity. Then he seemed uneasily to doze, and woke up
with a start; the sound was still going on. The hall clock struck five.
He jumped out of bed, washed and dressed himself, and went quietly
downstairs. The sound had mysteriously ceased. With a little difficulty
he opened the hall door and passed out into the garden.
It was a lovely morning; the birds sang ravishingly, and a gentle
breeze stirred the cypress-trees which lined the drive. The house was
absolutely plain as regards its exterior--a square, solid, British
farmhouse. A meadow that was half orchard separated it from the
high-road. Away from the house, on the other side of it, and at the end
of a large garden, was a long range of low buildings, in the form of
a quadrangle, which had, presumably, once been the farmstead; they
presented, now, a decayed and forlorn look. Richard walked past the
front of the house, under its shuttered windows, across the garden,
towards these farm buildings. As he opened a gate in the garden wall he
saw Mike issuing cautiously from one of the sheds.
Simultaneously there was a tremendous crash from the house--an
ear-splitting crash, a crash that might have been caused by ten domestic
servants dropping ten trays of crockery on a brick floor. But the crash
had a metallic ring with it that precluded the idea of a catastrophe in
earthenware.
Richard and Micky glanced at each other.
CHAPTER IV--MR. PUDDEPHATT
Richard saw that Mike was quite as startled as himself at the sound
of that appalling crash within the house. But in a moment the Irish
man-of-all-work had recovered his wits.
‘Sure,’ he said, his eyes twinkling, ‘the Day o’ Judgment has come along
unexpected.’
‘What was it?’ Richard asked.
Public-domain text, read in full here on John Shaqi.
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