Teresa of Watling Street: A Fantasia on Modern Themes — John Shaqi
Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
General
Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
Richard walked down to the village, engaged Miss Puddephatt’s room, and
dined at the White Horse Hotel. He had not yet definitely decided what
course of conduct to follow. He was inclined to do nothing further in
the affair, and to tell Simon Lock on Monday that, so far as he could
discover, Simon Lock’s suspicions about Raphael Craig were groundless.
He had taken no money from Simon Lock, and he would take none. Yet
why should he pause now? Why should he not, for his own private
satisfaction, probe the mystery to the bottom? Afterwards--when the
strange secret stood revealed to him--there would be plenty of time then
to decide whether or not to deliver up Raphael Craig into the hands of
Simon Lock. Yes, on consideration he would, for his own pleasure, find
out whatever was to be found out.
That evening, an hour after sunset, he lay hidden behind a hedge on the
west side of Watling Street, exactly opposite the boreen leading to the
Queen’s Farm.
Richard slept. He was decidedly short of sleep, and sleep overtook him
unawares. Suddenly from the end of the boreen came the faint spit, spit
of a motor-car, growing louder as it approached the main road. Would it
awake Richard? No, he slept stolidly on. The motor-car, bearing an old
man and a young girl, slid down into the valley towards Dunstable, and
so out of hearing. An hour passed. The church clock at Houghton Regis,
two miles off to the east, struck midnight. Then the car might have been
heard returning, it laboured heavily up the hill, and grunted as though
complaining of its burden as it curved round into the boreen towards
Queen’s Farm.
Public-domain text, read in full here on John Shaqi.
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