Teresa of Watling Street: A Fantasia on Modern Themes — John Shaqi
Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
General
Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
The blazing door was locked. Richard called, shouted shouted again.
There was no answer, but in the extraordinary outer silence he could
still hear the industrious shovelling of silver.
‘Well,’ he said to himself, ‘they’re bound to find out pretty soon that
the show’s on fire.’
He threw himself against the door angrily, and, to his surprise, it
yielded, and he fell over the river of flame into the interior of
the shed. The noise at last startled Raphael and Teresa out of the
preoccupation of their task.
‘Haven’t you perceived that the place is being burned down?’ he
exclaimed drily.
At the same instant he sprang towards Teresa. The stream of burning
petrol had found its way into the central runnel of the stone floor, and
so had suddenly reached the hem of Teresa’s dress, which already showed
a small blaze. Fortunately, it was a serge travelling frock; had it
been of light summer material, Teresa would probably have been burnt to
death. Richard dragged her fiercely from the region of the runnel, and
extinguished the smouldering serge between his hands, which showed the
scars of that timely action for a fortnight afterwards. He glanced round
quickly, saw a pile of empty sacks in a corner--had they been used as
money-bags? he wondered--and, seizing several of them, laid them fiat
on the burning petrol and against the door. His unhesitating celerity no
doubt prevented a magnificent conflagration. The petrol, it is true, had
nearly burnt itself out, but the woodwork of the door was, in fireman’s
phrase, ‘well alight,’ and, being aged and rotten, it formed a quick
fuel.
When the flames had been conquered, the three occupants of the shed
looked at each other without a word. Strange to say, under the steady
gaze of Raphael Craig, Richard’s eyes blinked, and he glanced in another
direction--up at the little window in the opposite wall where he had
seen the face of Micky, but where the face of Micky was no longer on
view. Then he looked again at Raphael Craig, whose dark orbs seemed to
ask accusingly: ‘What are you doing here?’ And, despite the fact that he
had in all probability been the means of saving Teresa’s life, he could
not avoid the absurd sensation of having been caught in a misdeed.
He felt as if he must explain his presence to Raphael Craig. At that
juncture, we are obliged to confess, his imperturbability deserted him
for a space.
‘I--I happened to be passing the end of the road,’ he said lamely, ‘and
I saw what I took to be a flame, so I ran along--and found--this, I’m
glad it’s no worse.’
‘So am I,’ said Raphael Craig, with cold gravity.
Teresa was silent.
‘I’m glad I was in time,’ said Richard, as awkwardly as a boy.
‘I’m glad you were,’ Mr. Craig agreed.
‘It is possible that my daughter owes her life to you. I cannot imagine
how I could have been so careless with that petrol. It was inexcusable.
We thank you, Mr. Redgrave, for your services so admirably rendered.’
‘Don’t mention it,’ said Richard; ‘that’s nothing at all.’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account