Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
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Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
Very quietly he sauntered to the front-door, which was ajar, and
into the portico. He stood there meditating. In front he could vaguely
discern the forms of the trees in the orchard, but beyond these nothing.
The night was as dark as a wolfs mouth. Then the sound of a horse’s
rapid hoof caught his ear. The wind had fallen, and everything was
still. Looking down the hill, he could see the light of a vehicle
ascending the slope of Watling Street. The sound of the horse’s trot
came nearer and nearer, passed the end of the boreen, and so continued
up the hill, getting fainter now, till it died entirely away as the
vehicle dipped down the gradient into Hockliffe. The vehicle was one of
her late Majesty’s mails, which took that route at that hour on Saturday
nights only. It constituted a perfectly simple weekly phenomenon, yet
somehow the birth, growth, fading, and death of the sound of the horse’s
trot on the great road affected Richard’s imagination to a singular
degree.
‘What is my position up here now?’ he asked himself. ‘Am I to depart
an unconfessed spy, without another word to Raphael Craig or Teresa,
or--what?’
The old man’s recital had touched him, and Teresa’s swoon had decidedly
touched him more.
He strolled very leisurely down the drive, staring about him. Then, with
senses suddenly alert, he whispered:
‘Come out, there. I see you quite well.’ Micky was hiding in the bushes
under the drawing-room window. The little man obeyed complacently
enough.
‘Come out into the road with me, Mike; I want to have a chat with you.’
Richard had sufficient tact not to put any sign of reproof or anger into
his tone. He accepted Micky’s spying as a thing of course. They walked
along the boreen together and up the high-road towards Hockliffe.
‘Now,’ said Richard, ‘we can talk at our ease here; we shan’t be
overheard.’
‘What does your honour want to talk about?’ asked Micky, with a great
air of innocence.
‘You can drop the “your honour,” and all that rigmarole, my friend, and
tell me who you really are. To prevent any unnecessary untruths, I may
as well tell you at the start that I found Goron’s Memoirs in the pocket
of your coat in the harness-room yesterday morning. From that moment I
knew you were playing a part here.’
‘Like you,’ said Micky quickly.
‘Yes--if it pleases you--like me. What I want to know is, are you a
detective?’
‘And what I want to know is,’ said Micky, who had abandoned most of his
Irish accent, ‘what are you?’
‘Let us not beat about the bush,’ said Richard impatiently. ‘You’re a
decent chap, so am I. I will begin by confessing that I am a private
inquiry agent employed by the British and Scottish Bank.’
‘Oh,’ said Micky, ‘I knew it was something of that sort Have you ever
heard of a detective named Nolan?’
‘What! _the_ Nolan?’ asked Richard.
‘The same,’ said Micky.
‘You are Nolan?’
‘I have the honour--or the dishonour.’
Public-domain text, read in full here on John Shaqi.
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