Teresa of Watling Street: A Fantasia on Modern Themes — John Shaqi
Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
General
Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
Richard left his seat, went out of the pavilion, and walked round the
outside of it towards the part where the performers entered the ring.
Attached to the pavilion by a covered way was a smaller tent, which was
evidently used as a sort of green-room by the performers. Richard could
see within, and it happened that he saw Juana chatting with a girl who
was very much like Juana, though rather less stately. The young man in
Indian costume, who had ridden the elephant, was also of the group.
Soon the young man went to another corner of the tent, and the two girls
began to talk more rapidly and more earnestly. Lastly, they shook hands
and kissed, Juana burst into tears, and her companion ran out of the
tent. Richard followed her at a safe distance through the maze of
minor tents, vans, poles, and loose horses, to the main road. A small,
exquisitely-finished motor-car stood by the footpath; the girl jumped
on board, pulled a lever, and was off in a northerly direction through
Dunstable up Watling Street.
‘Is that the road to Hockliffe?’ he asked a policeman.
‘Yes, sir.’
‘It’s Raphael Craig’s daughter, I bet,’ he said to himself, and for some
reason or other smiled a satisfied smile. Then he added, half aloud,
‘But who is Juana?’
He went back to see the rest of the performance, and he had scarcely
sat down before he had cause to wish that he had remained outside. The
famous strawberry-roan mare, formerly ridden by Juana, was making a
second appearance as the talking horse, in charge of the young man
who had shone before in Indian costume, but who now wore the dress of a
riding-master. An attendant was walking along the front benches with
a bundle of numbered cards. He offered one to Richard, and Richard
thoughtlessly accepted the offer. From that moment the eyes of the
entire assemblage were upon him.
‘The gentleman,’ said the young man in charge of the mare, ‘has chosen
a card. Now, this wonderful animal will tell you the number of the card,
and a lot of other interesting information. I shall put questions to the
animal, which will answer “Yes” by nodding its head, and “No” by shaking
its head, and will count by stamping its off fore-foot on the ground.’
Richard was disgusted at being thus made the centre of a trick, but
there was no help for it.
‘What is the number of the card drawn by the gentleman?’ the young man
demanded of the mare.
She stamped her foot ten times on the tan.
‘Number ten,’ said the young man. ‘Is that so, sir?’
It was so. Richard nodded. Loud applause.
‘Is the holder of the card a married man?’
The mare shook her head. Laughter.
‘He is a bachelor?’
The mare lowered her head. More laughter.
‘Will he ever be married?’
The mare lowered her head again. Loud laughter.
‘Soon?’
Again the mare signed an affirmative. Shrieks of laughter.
‘To a pretty girl?’
The mare nodded decisively.
‘Will they be blessed with many children?’
Public-domain text, read in full here on John Shaqi.
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