Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
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Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
A gong rang. Raphael Craig rose and opened the drawing-room door, and
the three men passed into the dining-room. Coffee, bacon, and eggs were
on the table. The two girls--Teresa in a light summer frock and Juana
still in her dark habit--stood by the mantelpiece. They were evidently
in a state of great curiosity as to the stranger, the rumour of
whose advent had reached them through Mrs. Bridget. Juana was, beyond
question, perturbed. The fact was that at Teresa’s instigation she had
meant that morning to approach her father amicably, and was fearful of
the upshot. Raphael Craig, however, cut short her suspense. He kissed
both girls on the forehead, and then said:
‘Mr. Lock, let me introduce my daughter Juana, my daughter Teresa. My
dears, this is Mr. Simon Lock, who has run down to see me on a matter of
business, and will do us the honour of breakfasting with us.’
The meal, despite the ordinariness of its service, had the deadly
and tremendous formality of a state dinner at Buckingham Palace.
Conversation, led judicially by the host himself, was kept up without
a break, but Simon Lock distinctly proved that the social arts were not
his forte. The girls talked timidly, like school misses on their best
behaviour, while Richard’s pose and Richard’s words were governed by
more than his characteristic caution. Only Raphael Craig seemed at ease,
and the old man appeared to take a ferocious but restrained delight
in the unnatural atmosphere which he had created. It was as if he saw
written on every face the expectation of some dreadful sequel, and
rejoiced in those signs of fear and dread. His eyes said: ‘Yes, I can
see that you are all desperately uncomfortable. It is well. You are
afraid of something happening, and you shall not be disappointed.’
‘Now, girls,’ he said lightly, after the meal was finished, ‘go and
amuse yourselves, and don’t forget your poor patient upstairs.’
‘You have someone ill in the house?’ Simon Lock ventured.
‘Yes,’ said Craig; ‘a fool of a Scotland Yard detective who got himself
into trouble up here by ferreting about.’
Simon Lock turned pale.
‘He was nearly killed,’ Raphael Craig went on. ‘We are nursing him back
to life,’ The old man laughed. ‘And now for our business,’ he said, and
turned to Richard. ‘I will see Mr. Lock in the drawing-room, and I shall
ask you, Mr. Redgrave, to be present at our interview.’
‘Is that necessary?’ asked Simon Lock pompously.
‘I have omitted to tell you,’ said Raphael Craig, ‘that Mr. Richard
Redgrave is my prospective son-in-law, engaged to my daughter Teresa. I
have no secrets from him.’
Simon Lock bowed. They returned to the drawing-room, and at a sign from
Raphael Craig Richard closed the door.
‘Now, Mr. Lock,’ said Raphael Craig when they were seated, ‘what can I
do for you?’
‘You said from your bedroom window that you were expecting me,’ Simon
Lock replied. ‘Therefore you are probably aware of the nature of my
business, since I have given you no warning of my arrival.’
Public-domain text, read in full here on John Shaqi.
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