Terrestrial and Celestial Globes Volume 1: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and Astronomy — John Shaqi
Terrestrial and Celestial Globes Volume 1: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and AstronomyStevenson, Edward Luther
History
Terrestrial and Celestial Globes Volume 1: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and Astronomy
Stevenson, Edward Luther
Geography -- History; Globes
If the actual number of globes constructed shortly before and shortly
after 1500 appears to have been small, judging from the number extant,
we often find additional assurance of interest in such instruments in
the use that was made of them for illustrative purposes, and for
decoration. Terrestrial and celestial globes, as well as armillary
spheres, frequently appeared on title-pages (Figs. 26, 27), in
paintings (Fig. 28), or constituted a part of library furnishings (Fig.
29).[124]
[Illustration: Fig. 26. Title-page of Johann Schöner’s Terrae
Descriptio, 1518.]
[Illustration: Fig. 27. Second Title-page of Mauro Fiorentino’s Sphera
Volgare, 1537.]
[Illustration: Fig. 28. Holbein’s Ambassadors, ca. 1536.]
[Illustration: Fig. 29. Library of Escorial.]
Among the ducal houses, famous in Italy in this period for interest in
matters geographical, none was more conspicuous than was the house of
Este of Ferrara.[125] We have an interesting letter dated Rome, January
17, 1509, and written by Fioramonte Brognoli to Isabel of Este, wife of
Francis II, Marquis of Mantua, daughter of Hercules I, Duke of Ferrara,
who was responsible for the draughting of the Cantino map of the year
1502,[126] and granddaughter of Duke Borso, to whom Donnus Nicholas
Germanus dedicated or addressed, in 1466, his twenty-seven Ptolemy
maps.[127] Brognoli, having received from the Marchioness an order for a
copy of the globes, terrestrial and celestial, possessed by Pope Julius
II, made reply that “the map and celestial signs which are painted on
two solid spheres in the library of the Pope, of which your Excellency
would like to have copies, I have ordered, and the same to be made by a
good painter of the Palace, who tells me that it will take some time
because the matter is quite difficult. I will not fail in care, and will
provide the necessary funds, so that as soon as possible I will send
them to you by a trusty messenger.”[128] Again the Roman correspondent
wrote, the letter bearing date February 1, 1505, “That master painter
who would like to make copies of the map and the zodiac which are in the
library of the Pope, about which Your Excellency wrote me some time ago,
tells me that to make them with linen it will cost more than forty
ducats, but to draw them on paper according to a certain design which is
painted on canvas in that place, it would cost very little. I thought I
would inform Your Excellency before giving the order, that I might
ascertain your wishes, for I shall do exactly that which you
desire.”[129] February 20, 1505, the Marchioness replied from Mantua,
saying that “the expense of forty ducats will not deter us, if the copy
of the map and of the zodiac is well made and is similar to that found
in the library of the Pope. You may order it to be made with extreme
diligence and with exactness.”[130]
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